A work in constant progress (and occasional regress).
Location Sound Mixer:
2013 At the Mermaid Parade
Sound:
2006 Snowing in Marrakech
2008 Au Café Romand
2013 At the Mermaid Parade
2013 The Laundry Room
2013 The Medicine Seller
2015 Confusion
2016 Cap sur le plaisir
2018 Forgive Us Our Debts
2020 W. - What Remains of the Lie
2021 Madeleine Collins
Sound Editor:
2006 Snowing in Marrakech
2008 Au Café Romand
2013 At the Mermaid Parade
2013 Tant qu'il pleut en Amérique
2013 The Laundry Room
2013 The Medicine Seller
2015 Confusion
2016 Cap sur le plaisir
2018 Forgive Us Our Debts
2020 W. - What Remains of the Lie
2021 Madeleine Collins
Sound Mixer:
2006 Snowing in Marrakech
2008 Au Café Romand
2010 Prud'Hommes
2011 L'autre versant de Gstaad
2011 Special Flight
2013 At the Mermaid Parade
2013 Tant qu'il pleut en Amérique
2013 The Laundry Room
2013 The Medicine Seller
2014 Illégitime
2015 Confusion
2015 L'oasis des mendiants
2015 Sam
2016 Cap sur le plaisir
2018 Forgive Us Our Debts
2019 The Guest
2020 W. - What Remains of the Lie
2021 Les Héros du tour
2021 Madeleine Collins
2023 Let Me Go
2024 Back to Alexandria
2025 The Courageous
Sound Recordist:
2006 Snowing in Marrakech
2008 Au Café Romand
2010 Prud'Hommes
2011 L'autre versant de Gstaad
2011 Operation Casablanca
2011 Special Flight
2013 At the Mermaid Parade
2013 Tant qu'il pleut en Amérique
2013 The Laundry Room
2013 The Medicine Seller
2014 Illégitime
2015 Confusion
2015 L'oasis des mendiants
2015 Sam
2016 Cap sur le plaisir
2017 Scarred Hearts
2018 Eldorado
2018 Forgive Us Our Debts
2018 Those Who Work
2019 The Guest
2020 W. - What Remains of the Lie
2021 Les Héros du tour
2021 Madeleine Collins
2022 The Land Within
2023 Let Me Go
2024 Back to Alexandria
2025 The Courageous
Sound Mixer:
2024 En haute mer
2024 Winter Palace
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.