Stanley Cortez (1908-1997)

Birthplace:
New York, New York, USA

Born:
November 4, 1908

Died:
December 23, 1997

American cinematographer. He worked on over seventy films, including Orson Welles' The Magnificent Ambersons (1942), Charles Laughton's The Night of the Hunter (1955), Nunnally Johnson's The Three Faces of Eve (1957), and Samuel Fuller's Shock Corridor (1963) and The Naked Kiss (1964).

Additional information:

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Camera Operator:
1932  Lady with a Past
1935  A Midsummer Night's Dream

Cinematography:
1932  Lady with a Past
1935  A Midsummer Night's Dream
1941  A Dangerous Game
1942  Eagle Squadron
1951  Furia roja
1954  Dragon's Gold

Director of Photography:
1932  Lady with a Past
1935  A Midsummer Night's Dream
1937  Armored Car
1938  Danger on the Air
1939  For Love or Money
1939  Risky Business
1940  Meet the Wildcat
1940  The Leather Pushers
1941  A Dangerous Game
1941  Badlands Of Dakota
1941  Moonlight in Hawaii
1941  The Black Cat
1942  Bombay Clipper
1942  Eagle Squadron
1942  Sealed Lips
1942  The Magnificent Ambersons
1943  Flesh and Fantasy
1943  The Powers Girl
1944  Since You Went Away
1947  Secret Beyond the Door...
1947  Smash-Up: The Story of a Woman
1948  Smart Woman
1949  The Man on the Eiffel Tower
1950  The Admiral Was a Lady
1950  The Underworld Story
1951  Fort Defiance
1951  Furia roja
1951  Stronghold
1952  Abbott and Costello Meet Captain Kidd
1953  The Diamond Queen
1953  The Neanderthal Man
1954  Apache
1954  Black Tuesday
1954  Dragon's Gold
1954  Riders to the Stars
1955  The Night of the Hunter
1956  Man from Del Rio
1957  The Three Faces of Eve
1957  Top Secret Affair
1959  The Angry Red Planet
1959  Vice Raid
1960  Dinosaurus!
1961  Back Street
1963  Shock Corridor
1963  The Madmen of Mandoras
1964  The Naked Kiss
1966  The Ghost in the Invisible Bikini
1966  The Navy vs. the Night Monsters
1968  Blue
1968  They Saved Hitler's Brain
1969  The Bridge at Remagen
1971  Do Not Fold, Spindle, or Mutilate
1972  Doomsday Machine
1977  Another Man, Another Chance

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.