The Night of the Hunter (1955) [NR]

Featuring:
Robert Mitchum, Shelley Winters, Lillian Gish

Written by:
Davis Grubb
James Agee
Charles Laughton

Directed by:
Charles Laughton


Release Date:
August 26, 1955

Original Title:
The Night of the Hunter

Alternate Titles:
La noche del cazador
Mensageiro do Diabo
Trasdockan
猎人的夜晚
雾夜惊魂
사냥꾼의 밤

Genres:
Crime | Drama | Thriller

Production Companies:
Paul Gregory Productions
United Artists

Production Countries:
United States of America

Ratings / Certifications:
AU: M  DE: 12  ES: APTA  FI: K-16  FR: U  NL: 12  US: NR 

Runtime: 93

The wedding night, the anticipation, the kiss, the knife, BUT ABOVE ALL...THE SUSPENSE!

In Depression-era West Virginia, a serial-killing preacher hunts two young children who know the whereabouts of a stash of money.

It's the Great Depression. In the process of robbing a bank of $10,000, Ben Harper kills two people. Before he is captured, he is able to convince his adolescent son John and his daughter Pearl not to tell anyone, including their mother Willa, where he hid the money, namely in Pearl's favorite toy, a doll that she carries everywhere with her. Ben, who is captured, tried and convicted, is sentenced to death. But before he is executed, Ben is in the state penitentiary with a cell mate, a man by the name of Harry Powell, a self-professed man of the cloth, who is really a con man and murderer, swindling lonely women, primarily rich widows, of their money before he kills them. Harry does whatever he can, unsuccessfully, to find out the location of the $10,000 from Ben. After Ben's execution, Harry decides that Willa will be his next mark, figuring that someone in the family knows where the money is hidden. Despite vowing not to remarry, Willa ends up being easy prey for Harry's outward evangelicalism; she is a pious woman who feels she needs to atone for her sins which led to Ben doing what he did, especially as Harry presents himself as the preacher who worked at the prison and provided salvation to Ben before his death. Harry quickly figures out that John and Pearl know where the money is. Conversely, John doesn't trust Harry, John who first tries not to show to Harry that he indeed does know where the money is, and then second constantly reminds a more-trusting Pearl of their promise to their now-deceased father. With Willa devoted to her new husband, John and Pearl need some other adult assistance in evading Harry's veiled threats, an adult who not only can see the honesty and goodness in children but who can also see a true wolf in sheep's clothing like Harry.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Rankings and Honors

The Night of the Hunter (1955) on IMDb
Internet Movie Database 8.0/10
Rotten Tomatoes 93%
Metacritic 97/100
Awards Won: 2 wins & 1 nomination

American Film Institute (AFI)

2001
#34
100 Years: 100 THRILLS
100 Most Thrilling American Films
2003
#29
100 Years: 100 HEROES & VILLAINS
50 Greatest Villains
“Reverend Harry Powell”

British Film Institute (BFI)

2012
#63
Critics' Top 100 Poll
Greatest Films of All Time
2012
#26
Directors' Top 100 Poll
Greatest Films of All Time

Art Direction:
Hilyard M. Brown

Assistant Director:
Milton Carter

Director:
Charles Laughton

Director of Photography:
Stanley Cortez

Editor:
Robert Golden

Hairstylist:
Kay Shea

Makeup Artist:
Don L. Cash

Novel:
Davis Grubb

Original Music Composer:
Walter Schumann

Producer:
Paul Gregory

Production Manager:
Ruby Rosenberg

Property Master:
Joe LaBella

Screenplay:
James Agee
Charles Laughton

Set Decoration:
Alfred E. Spencer

Sound:
Stanford Houghton

Special Effects:
Louis DeWitt
Jack Rabin

Wardrobe Assistant:
Evelyn Carruth

Wardrobe Designer:
Jerry Bos

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.