The Magnificent Ambersons (1942) [NR]

Release Date:
July 10, 1942

Original Title:
The Magnificent Ambersons

Alternate Titles:
위대한 앰버슨가

Genres:
Drama | Romance

Production Companies:
Mercury Productions
RKO Radio Pictures

Production Countries:
United States of America

Ratings / Certifications:
DE: 12  FR: U  US: NR 

Runtime: 88

Real life screened more daringly than it’s ever been before!

The spoiled young heir to the decaying Amberson fortune comes between his widowed mother and the man she has always loved.

Additional information:

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British Film Institute (BFI)

1972
#8
Critics' Top 10 Poll
Greatest Films of All Time
1982
#7
Critics' Top 10 Poll
Greatest Films of All Time
2012
#81
Critics' Top 100 Poll
Greatest Films of All Time

Additional Editing:
Jack Moss
Mark Robson

Additional Photography:
Orson Welles
Jack MacKenzie

Assistant Director:
Fred Fleck
Harry Mancke
Robert Wise

Associate Producer:
Jack Moss

Boom Operator:
Roy Meadows
James Thompson

Costume Design:
Edward Stevenson

Director:
Orson Welles

Director of Photography:
Stanley Cortez

Editor:
Robert Wise

Executive Producer:
George Schaefer

Gaffer:
Bill McLellan

Makeup Artist:
Robert J. Schiffer
Maurice Seiderman

Makeup Department Head:
Mel Berns

Novel:
Booth Tarkington

Original Music Composer:
Bernard Herrmann

Other:
Chesley Bonestell

Producer:
Orson Welles

Production Design:
Albert S. D'Agostino

Screenplay:
Orson Welles

Set Decoration:
Darrell Silvera

Set Designer:
Mark-Lee Kirk

Set Dresser:
A. Roland Fields

Sound:
Terry Kellum
Earl B. Mounce
John E. Tribby

Sound Recordist:
Bailey Fesler
James G. Stewart

Special Effects:
Vernon L. Walker

Stunt Double:
David Sharpe
Helen Thurston

Unit Manager:
Fred Fleck

Visual Effects:
Clifford Stine

Wardrobe Designer:
Claire Cramer

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.