A work in constant progress (and occasional regress).
Scott Kramer is a producer. He started making films and attending film schools at the age of eleven. It was in New York, where he was born, that he found his first job in the film business working in the editing rooms of An Unmarried Woman. He continued his association with Paul Mazursky - eventually moving to Los Angeles to work for 20th Century-Fox in Physical Production. He has worked as an executive in development, production and business affairs for many production companies among them, Vestron Pictures, Constantin Pictures and Alliance Entertainment before moving on to producing his own films.
Producer:
1999 The Limey
2002 Full Frontal
Sound Designer:
1999 The Limey
2002 Casablanca
2002 Full Frontal
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.