A work in constant progress (and occasional regress).
Release Date:
August 2, 2002
Original Title:
Full Frontal
Alternate Titles:
Licem u lice
Todo al descubierto
À découvert
Genres:
Comedy | Romance
Production Companies:
Miramax
Populist Pictures
Production Countries:
United States of America
Ratings / Certifications:
CZ: 12+ DE: 12 FR: U US: R
Runtime: 101
A day in the life of a group of men and women in Hollywood, in the hours leading up to a friend's birthday party.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Assistant Editor:
David Kirchner
Assistant Location Manager:
Caleb Duffy
Assistant Production Coordinator:
David McKimmie
Assistant Property Master:
Mark Gantt
Best Boy Electric:
Ed Ayer
Best Boy Grip:
Thomas A. Curran
Boom Operator:
Linda Murphy
Camera Operator:
Duane Manwiller
Casting:
Debra Zane
Casting Associate:
Terri Taylor
Chef:
Antoine Mascaro
Clearances Coordinator:
Cassandra Barbour
Laura Sevier
Color Timer:
Dan Muscarella
Costume Supervisor:
Shoshana Rubin
Costumer:
Susi Campos
Craft Service:
Jeff Winn
Director:
Steven Soderbergh
Director of Photography:
Steven Soderbergh
Dolly Grip:
Gregg Guellow
Driver:
Rich Bennetti
David Blackman
Dave Glavin
Leon Glavin
JT Lannen
Charles Ramirez
Editor:
Sarah Flack
First Assistant Accountant:
Jason Hinkel
First Assistant Camera:
Daniel Moder
First Assistant Director:
Gregory Jacobs
First Assistant Editor:
Susan Littenberg
Foley:
Dawn Fintor
Alicia Stevenson
Foley Editor:
Matt Coby
Jay Gallagher
Foley Mixer:
David Betancourt
Gaffer:
Russell Ayer
Key Grip:
Paul Threlkeld
Legal Services:
Howard Behar
Steven M. Kalb
Lighting Technician:
Ted J. Kredo
Location Assistant:
Naomi Motohashi
Location Manager:
Caleb Duffy
Negative Cutter:
Paul Tanzillo Jr.
Original Music Composer:
Jacques Davidovici
Post Production Accountant:
Leah Holmes
Post Production Assistant:
Tim Serda
Ramy Katrib
Post Production Coordinator:
Monica Borde
Post Production Producer:
Zennia M. Barahona
Producer:
Gregory Jacobs
Scott Kramer
Production Accountant:
Sonya Lunsford
Production Controller:
Julie M. Anderson
Production Office Assistant:
Virginie Drouot
Matt Novello
Production Sound Mixer:
Paul Ledford
Property Master:
Lance Larson
Rigging Gaffer:
Brent Studler
Rigging Grip:
Joseph Graham
Script Supervisor:
Rebecca Robertson
Second Assistant Camera:
Chris Mack
Second Assistant Director:
Basti Van Der Woude
Second Second Assistant Director:
Keri Bruno
Second Unit Cinematographer:
Duane Manwiller
Set Production Assistant:
Lynne Martin
Keith Popely
India Neilan
Sound Re-Recording Mixer:
Larry Blake
Still Photographer:
Bob Marshak
Transportation Captain:
Shane Greedy
Transportation Coordinator:
Jon Carpenter
Unit Production Manager:
Michael Polaire
Unit Publicist:
Spooky Stevens
Utility Sound:
Sam Sarkar
Visual Effects:
Randall Balsmeyer
Writer:
Coleman Hough
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.