A work in constant progress (and occasional regress).
Release Date:
October 8, 1999
Original Title:
The Limey
Alternate Titles:
Anglán
Englænderen
L'Anglais
Le limier
O Estranho
O egglezos
Vengar la sangre
Genres:
Crime | Drama | Mystery
Production Companies:
Artisan Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AR: 16 BR: 14 CH: 16 DE: 16 GB: 18 JP: R15+ PL: 16 US: R
Runtime: 89
The Limey follows Wilson, a tough English ex-con who travels to Los Angeles to avenge his daughter's death. Upon arrival, Wilson goes to task battling Valentine and an army of L.A.'s toughest criminals, hoping to find clues and piece together what happened. After surviving a near-death beating, getting thrown from a building and being chased down a dangerous mountain road, the Englishman decides to dole out some bodily harm of his own.
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Art Department Assistant:
Andrea Brody
Art Department Coordinator:
Blair Huizingh
Assistant Editor:
Angie Luckey
Assistant Location Manager:
Jane E. Graves
Phylis Decker
Assistant Production Coordinator:
Nancy Reid
Assistant Property Master:
Alberto Christiano Lombardo
Assistant Sound Editor:
James Morioka
Best Boy Electric:
Russ Caldwell
Best Boy Grip:
Paul David Williams
Boom Operator:
Perry Dodgson
Camera Loader:
Stacy De La Motte
Camera Operator:
Ray De La Motte
Casting:
Debra Zane
Casting Assistant:
Terri Taylor
Costume Design:
Louise Frogley
Costume Supervisor:
Joyce Kogut
Costumer:
Robert Gmuer
Director:
Steven Soderbergh
Director of Photography:
Edward Lachman
Dolly Grip:
Paul Threlkeld
Editor:
Sarah Flack
Extras Casting:
Rich King
First Assistant "A" Camera:
Mike Hall
First Assistant "B" Camera:
Gary Dunham
First Assistant Director:
Gregory Jacobs
First Assistant Editor:
Carol A. Ellison
Foley:
Dawn Fintor
Alicia Stevenson
Foley Mixer:
David Betancourt
Foley Recordist:
Carrie Cashman
Gaffer:
John W. DeBlau
Grip:
Lionel T. Portugal Sr.
Daisuke Dice Miyake
Thomas Currna
Hairstylist:
Waldo Sanchez
Deborah Mills-Whitlock
Key Grip:
Charles John Bukey
Key Hair Stylist:
Bonnie Clevering
Key Makeup Artist:
Rick Sharp
Key Rigging Grip:
Gary Brostrom
Leadman:
David C. Potter
Location Manager:
Ken Lavet
Makeup Artist:
Ken Chase
Raqueli Dahan
Music Consultant:
Buck Damon
Music Supervisor:
Amanda Scheer-Demme
Original Music Composer:
Cliff Martinez
Picture Car Coordinator:
Rich Bennetti
Post Production Supervisor:
Caitlin Maloney
Producer:
John Hardy
Scott Kramer
Production Accountant:
Cheryl Kurk
Production Design:
Gary Frutkoff
Production Office Coordinator:
David Conley
Production Secretary:
Colin J. O'Hara
Production Sound Mixer:
James E. Webb
Property Master:
Peter Bankins
Rigging Gaffer:
Richard Hartley
Rigging Grip:
Craig Aines
Robert Clancey
Script Supervisor:
Annie Welles
Second Assistant "A" Camera:
Katie Santore
Second Assistant "B" Camera:
Tammy Fouts
Marta Weiss
Second Assistant Director:
David Hallinan
Set Costumer:
Suzanne Cranfill
Set Decoration:
Kathryn Peters
Sound Editor:
Marvin Walowitz
John Pospisil
Ezra Dweck
Mike Chock
Sound Re-Recording Mixer:
Larry Blake
Melissa Sherwood Hofmann
Special Effects Coordinator:
Kevin Hannigan
Still Photographer:
Bob Marshak
Stunt Coordinator:
John Robotham
Stunts:
Noon Orsatti
Christie Hayes
Kerry Rossall
Jeff Ramsey
Jason Rodriguez
Peter Stader
Brian J. Williams
Eddie Matthews
Supervising Sound Editor:
Larry Blake
Transportation Captain:
Shane Greedy
Transportation Coordinator:
Jon Carpenter
Unit Production Manager:
Frederic W. Brost
Pat Chapman
Unit Publicist:
Quinn Donoghue
Writer:
Lem Dobbs
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.