A work in constant progress (and occasional regress).
Art Direction:
1996 Race the Sun
1998 Dark City
1999 Two Hands
2000 Cut
2002 Ghost Ship
2003 Kangaroo Jack
2005 Stealth
2007 The Condemned
2012 Mental
2016 Science Fiction Volume One: The Osiris Child
2017 2:22
2017 Thor: Ragnarok
Production Design:
1996 Race the Sun
1998 Dark City
1999 Two Hands
2000 Cut
2002 Ghost Ship
2003 Kangaroo Jack
2005 Stealth
2007 The Condemned
2012 Mental
2016 Science Fiction Volume One: The Osiris Child
2017 2:22
2017 Better Watch Out
2017 Thor: Ragnarok
Set Decoration:
1996 Race the Sun
1998 Dark City
1998 The Thin Red Line
1999 Two Hands
2000 Cut
2002 Ghost Ship
2003 Kangaroo Jack
2005 Stealth
2007 The Condemned
2012 Mental
2016 Science Fiction Volume One: The Osiris Child
2017 2:22
2017 Better Watch Out
2017 Thor: Ragnarok
Standby Property Master:
1985 An Indecent Obsession
1996 Race the Sun
1998 Dark City
1998 The Thin Red Line
1999 Two Hands
2000 Cut
2002 Ghost Ship
2003 Kangaroo Jack
2005 Stealth
2007 The Condemned
2012 Mental
2016 Science Fiction Volume One: The Osiris Child
2017 2:22
2017 Better Watch Out
2017 Thor: Ragnarok
Supervising Art Director:
1985 An Indecent Obsession
1996 Race the Sun
1998 Dark City
1998 The Thin Red Line
1999 Two Hands
2000 Cut
2002 Ghost Ship
2003 Kangaroo Jack
2003 Peter Pan
2005 Stealth
2007 Ghost Rider
2007 The Condemned
2012 Mental
2015 Mad Max: Fury Road
2016 Science Fiction Volume One: The Osiris Child
2017 2:22
2017 Better Watch Out
2017 Thor: Ragnarok
2018 Aquaman
2019 Dora and the Lost City of Gold
2021 Godzilla vs. Kong
2021 Shang-Chi and the Legend of the Ten Rings
2022 Ticket to Paradise
2024 Godzilla x Kong: The New Empire
Supervising Art Director:
2010 The Pacific
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.