A work in constant progress (and occasional regress).
Release Date:
October 25, 2002
Original Title:
Ghost Ship
Alternate Titles:
Barco Fantasma
Barco fantasma
Brod duhova
Ghost Ship - Das Geisterschiff
Ghost Ship - Meer des Grauens
Ghost Ship. Barco fantasma
Korabl'-prizrak
Nave fantasma
Prizrachen korab
To stoiheiomeno ploio
Genres:
Horror | Mystery | Thriller
Production Companies:
Dark Castle Entertainment
Ghost Ship Films Pty. Ltd.
NPV Entertainment
Village Roadshow Pictures
Warner Bros. Pictures
Production Countries:
Australia | United States of America
Ratings / Certifications:
BE: 18 BR: 16 CZ: 12+ DE: 18 FI: K-16 FR: 12|16 GB: 18 HU: 18 IE: 18 MX: C NL: 16 NO: 15 NZ: 16 PL: 18 PT: M/18 RU: 18+ SE: 15 US: R
Runtime: 91
After discovering a passenger ship missing since 1962 floating adrift on the Bering Sea, salvagers claim the vessel as their own. Once they begin towing the ghost ship towards harbor, a series of bizarre occurrences happen and the group becomes trapped inside the ship, which they soon learn is inhabited by a demonic creature.
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3D Artist:
Kimberley Liptrap
ADR Mixer:
Troy Porter
ADR Voice Casting:
Jessica Gee-George
Accountant:
Liam Banks
Additional Music:
Pablo Duchovny
Animation Supervisor:
Andy Cadzow
Armorer:
Jeff Gribble
Art Department Coordinator:
Tim Lyall
Art Direction:
Richard Hobbs
Assistant Accountant:
Prudence Williams
Assistant Art Director:
Charles McGuinness
Jim Millett
Assistant Editor:
Elana Joy Livneh Lessem
Assistant Production Coordinator:
Melaini Lewis
Assistant Sound Editor:
Bill R. Dean
Associate Producer:
Stephen Jones
Best Boy Grip:
James Hopwood
Boom Operator:
Rod Conder
Camera Operator:
John Trapman
Carpenter:
Darrin Smith
Casting:
Lora Kennedy
Fiona McMaster
Tom McSweeney
Co-Producer:
Susan Downey
Richard Mirisch
Color Timer:
Jeff Smithwick
Conductor:
Nick Ingman
Construction Coordinator:
John Rann
Costume Designer:
Margot Wilson
Costume Supervisor:
Mel Dykes
Janice MacIsaac
Dialogue Coach:
Bruce Shapiro
Dialogue Editor:
Stephanie Brown
Digital Compositors:
Lindsay Adams
Digital Effects Supervisor:
Gerard Benjamin Pierre
Director:
Steve Beck
Director of Photography:
Gale Tattersall
Driver:
Marc Sparky Rutherford
Editor:
Roger Barton
Rebecca Weigold
Executive In Charge Of Post Production:
Daniel R. Chavez
Executive In Charge Of Production:
Bill Draper
Executive Producer:
Steve Richards
Bruce Berman
Executive Visual Effects Producer:
Daniel Harvey
Extras Casting:
Jade Tam
First Assistant Camera:
Ricky Schamburg
First Assistant Director:
Colin Fletcher
First Assistant Editor:
Robert Malina
First Assistant Sound Editor:
Christopher Alba
Foley:
John Roesch
Foley Artist:
Alyson Dee Moore
Foley Recordist:
Linda Lew
Gaffer:
Shaun Conway
Grip:
Stuart Bell
Helicopter Camera:
Simon Werry
Key Grip:
David Nichols
Lighting Technician:
Zac Murphy
Location Manager:
Kent Sponagle
Makeup Artist:
Anita Morgan
Nadine Wilkie
Makeup Effects:
Jason Baird
Scott Patton
Steven Boyle
Makeup Supervisor:
Nikki Gooley
Music Editor:
Tommy Lockett
Musician:
Mark Berrow
Orchestrator:
Frank Bennett
Original Music Composer:
John Frizzell
Post Production Coordinator:
Adam Avery
Producer:
Gilbert Adler
Joel Silver
Robert Zemeckis
Production Accountant:
Alan J. Lam
Production Assistant:
Kristine Fraser
Production Coordinator:
Louisa Kors
Production Design:
Graham 'Grace' Walker
Production Manager:
Craig Forrest
Production Secretary:
Suzanne Evans-Booth
Production Sound Mixer:
Paul 'Salty' Brincat
Property Master:
Jim Millett
Prosthetic Supervisor:
Antony McMullen
Researcher:
Miriam Johnson
Screenplay:
Mark Hanlon
John Pogue
Script Supervisor:
Jackie Sullivan
Second Assistant Camera:
Ben King
Second Assistant Director:
Jennifer Leacey
Second Unit Cinematographer:
Ian 'Thistle' Thorburn
Second Unit Director:
Danny Baldwin
Set Costumer:
Samantha Walker
Set Decoration:
Beverley Dunn
Set Designer:
Claudine Clark
Christian Huband
Kate Lovejoy
David Nimmo
Set Dresser:
Steve Goldenberg
Jac Charlton
Sound Assistant:
Nicole Miller
Sound Editor:
Andrew Lackey
Sound Re-Recording Mixer:
Ken S. Polk
Gregg Rudloff
Special Effects Makeup Artist:
Christopher Allen Nelson
Special Effects Supervisor:
Brian Cox
Special Effects Technician:
Patrick Carmiggelt
Still Photographer:
Vince Valitutti
Storyboard Artist:
Graeme Callander
Stunt Coordinator:
Danny Baldwin
Stunt Double:
Gulliver Page
Stunts:
Ric Anderson
Nick Lawson
Supervising ADR Editor:
Julia Evershade
Supervising Sound Editor:
Richard Adrian
Dane A. Davis
Telecine Colorist:
Trish Cahill
Third Assistant Director:
Miranda Colman
Underwater Camera:
Peter McDougall
Unit Production Manager:
Stephen Jones
Unit Publicist:
Fiona Searson
VFX Editor:
Brad Lindenmayer
Visual Effects:
Matt Linder
Visual Effects Assistant Editor:
Cheryl Potter
Visual Effects Coordinator:
Keith Foston
Visual Effects Editor:
Robert Malina
Visual Effects Producer:
Naomi Mitchell
Visual Effects Production Manager:
Kirsten Fazio
Visual Effects Supervisor:
Dale Duguid
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.