A work in constant progress (and occasional regress).
Release Date:
December 23, 1998
Original Title:
The Thin Red Line
Alternate Titles:
Cienka Czerwona Linia
I lepti kokkini grammi
Ince kirmizi hat
La delgada línea roja
Mince Ligne rouge
Genres:
Drama | History | War
Production Companies:
Fox 2000 Pictures
Geisler-Roberdeau Productions
George Stevens Jr. Productions
Phoenix Pictures
Pioneer Films
Production Countries:
Belgium | Canada | Japan | United States of America
Ratings / Certifications:
AT: 16 CA: 14A CZ: 12+ DE: 16 DK: 15 ES: 16 FR: 12 GB: 15 HU: 16 KR: 15 NL: 16 PT: M/16 SE: 15 US: R
Runtime: 171
The story of a group of men, an Army Rifle company called C-for-Charlie, who change, suffer, and ultimately make essential discoveries about themselves during the fierce World War II battle of Guadalcanal. It follows their journey, from the surprise of an unopposed landing, through the bloody and exhausting battles that follow, to the ultimate departure of those who survived.
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3D Animator:
Ian Brown
ADR Editor:
Karyn Foster
Lee Lemont
ADR Supervisor:
Hugh Waddell
Additional Music:
Francesco Lupica
John Powell
Additional Soundtrack:
Arvo Pärt
Aerial Coordinator:
Bruce Simpson
Armorer:
John Bowring
Amanda Kirby
Peter Cogar
Scott Warwick
Art Department Coordinator:
Jenny O'Connell
Art Direction:
Ian Gracie
Assistant Editor:
Laura Behary
Charles Bunn
Mark Ellis
Alicia Gleeson
Jenny Hicks
Camera Operator:
Leigh Mackenzie
Reuben Aaronson
Stephen S. Campanelli
Mike Thomas
Casting:
Dianne Crittenden
Casting Associate:
Barbara Collins
Construction Manager:
Greg Hajdu
Costume Design:
Margot Wilson
Costume Supervisor:
Kerry Thompson
Costumer:
James P. Cullen
Harold Crawford
Dialogue Editor:
Patrick J. Foley
John F. Reynolds
Virginia Cook-McGowan
Director:
Terrence Malick
Director of Photography:
John Toll
Dolly Grip:
Michael Vivian
Editor:
Leslie Jones
Saar Klein
Billy Weber
Electrician:
Stephen Gray
Miles Jones
Marcus Watson
Paul Cumming
Executive Producer:
George Stevens Jr.
Foley:
Hilda Hodges
John Roesch
Foley Editor:
David Horton Jr.
Gaffer:
James F. Boyle
Randy Woodside
Brett Jarman
Mick Morris
Hair Designer:
Vivien Mepham
Hairstylist:
Joan Petch
Toni Ffrench
Chiara Tripodi
Angela Conte
Key Grip:
David Nichols
Paul E. Borchardt
Herb Ault
Toby Copping
Makeup Designer:
Vivien Mepham
Marine Coordinator:
Lance Julian
Novel:
James Jones
Original Music Composer:
Hans Zimmer
Producer:
John Roberdeau
Sheila Davis Lawrence
Grant Hill
Robert Michael Geisler
Production Design:
Jack Fisk
Property Master:
William A. Petrotta
Richie Dehne
Screenplay:
Terrence Malick
Script Coordinator:
Emily Saunders
Script Supervisor:
Chris O'Connell
Pamela Willis
Second Unit Director of Photography:
Gary Capo
Set Decoration:
Richard Hobbs
Suza Maybury
Sound Effects Editor:
Mark L. Mangino
Andrew Somers
Christopher S. Aud
John Voss Bonds Jr.
Jayme S. Parker
Sound Re-Recording Mixer:
Andy Nelson
Anna Behlmer
Sound Recordist:
Greg Burgmann
Robert Renga
Craig Heath
Still Photographer:
Merie Weismiller Wallace
Stunts:
Gary Fry
Mike Smith
Supervising Sound Editor:
J. Paul Huntsman
Visual Effects Designer:
Simon Whiteley
Visual Effects Producer:
Fiona Chilton
Visual Effects Supervisor:
Chris Godfrey
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.