Blair Underwood (b. 1964)

Alias:
Блер Андервуд

Birthplace:
Tacoma, Washington, USA

Born:
August 25, 1964

Blair Underwood (born August 25, 1964) is an American television and film actor. He is perhaps best known as headstrong attorney Jonathan Rollins from the NBC legal drama L.A. Law, a role he portrayed for seven years. He has gained critical acclaim throughout his career, receiving numerous Golden Globe Award nominations, three NAACP Image Awards and 1 Grammy Award.  His feature film debut was the 1985 movie Krush Groove. His 1985 appearance on The Cosby Show landed him a short stint on the ABC soap opera One Life to Live, which eventually led to his performance on the TV series L.A. Law, where he appeared from 1987 to 1994.  Underwood broke into film with roles in Just Cause (1995), Set It Off (1996) and Deep Impact (1998). He also had a supporting role as a geneticist in the film Gattaca. In 2000, he played the lead role in the short-lived television series City of Angels. In 2003, he guest starred in four episodes on the HBO series Sex and the City playing Cynthia Nixon's love interest. In 2004, he played the role of Roger De Souza opposite Heather Locklear in NBC's LAX.  He gained acclaim as the sexy grade school teacher in the CBS sitcom The New Adventures of Old Christine opposite Julia Louis-Dreyfus for two years. In 2007, he guest starred in an episode of the NBC series Law & Order: Special Victims Unit. His also had a role as recurring character Alex in the HBO series In Treatment. Also in 2007, Underwood co-authored the novel Casanegra: A Tennyson Hardwick Novel with husband-and-wife team Steven Barnes and Tananarive Due.  He's also had recurring roles on Dirty Sexy Money, NBC's The Event, Ironside, Marvel's Agents of S.H.I.E.L.D., and Quantico.  He has received three NAACP Image Awards, for his film work in Rules of Engagement, and his television work in L.A. Law, City of Angels, Murder in Mississippi and Mama Flora's Family. He was voted one of People's "50 Most Beautiful People" in 2000, and one of TV Guide's "Most Influential Faces of the 90s".

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.