Home

Deep Impact (1998) [PG-13]

Release Date:
May 8, 1998

Original Title:
Deep Impact

Alternate Titles:
ディープ・インパクト：1998
天地大冲撞

Genres:
Action | Drama | Science Fiction

Production Companies:
Amblin Entertainment
DreamWorks Pictures
Paramount Pictures
The Zanuck Company

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BR: 12  CH: 16  CZ: 12+  DE: 12  FR: U  GB: 12  HU: 12  IE: 12  IT: T  JP: G  NL: 12  PL: 12  PT: M/12  RO: 12  SE: 11  US: PG-13 

Runtime: 120

Oceans rise. Cities fall. Hope survives.

Overview from TheMovieDB

A seven-mile-wide space rock is hurtling toward Earth, threatening to obliterate the planet. Now, it's up to the president of the United States to save the world. He appoints a tough-as-nails veteran astronaut to lead a joint American-Russian crew into space to destroy the comet before impact. Meanwhile, an enterprising reporter uses her smarts to uncover the scoop of the century.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Teaser

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

ADR Editor:
Kimberly Lowe Voigt
Andrew Somers

ADR Supervisor:
Joe Dorn

Additional Camera:
Don Burgess

Additional Second Assistant Director:
Wainani Young-Tomich

Additional Sound Re-Recording Mixer:
David Raines

Aerial Director of Photography:
Phil Pastuhov

Animation:
Steve Nichols
Philip Edward Alexy
Jason Ivimey

Art Department Production Assistant:
Heather Kelton

Art Direction:
Thomas Valentine
Dennis Bradford
Andrew Neskoromny
Gary Kosko

Assistant Accountant:
Laura Tiz

Assistant Art Director:
Paul Sonski
Masako Masuda
Eric Rosenberg

Assistant Camera:
John T. Connor

Assistant Editor:
Ken Blackwell

Assistant Location Manager:
Patrick Burn

Assistant Production Coordinator:
John Latenser V

Assistant Property Master:
César Díez Álava
Michael D. Harrell
Kris Peck

Associate Producer:
D. Scott Easton

Best Boy Electric:
Walter Bithell

Best Boy Grip:
Mike Fay

Boom Operator:
Raul A. Bruce

CG Supervisor:
Michael Bauer

Camera Loader:
Cheli Clayton

Camera Operator:
Guy Norman Bee
Scott E. Steele

Camera Technician:
Steven J. Winslow

Casting:
Allison Jones
Judith Bouley

Casting Assistant:
Wendy Washbrook

Chief Lighting Technician:
Jon R. Tower

Color Timer:
Jim Passon

Colorist:
Michael Healey

Compositing Supervisor:
Jeff Heusser

Concept Artist:
Derek Thompson

Conductor:
James Horner

Construction Coordinator:
John Villarino

Construction Foreman:
Robb W. Ward

Costume Design:
Ruth Myers

Costume Supervisor:
Michelle Kurpaska

Costumer:
Anthony J. Lipin

Dialogue Editor:
Patrick J. Foley
John F. Reynolds
Andrew Somers
Mark L. Mangino

Digital Compositor:
Danny Mudgett
Gregory Oehler

Digital Compositors:
Suzanne Mitus-Uribe

Digital Effects Supervisor:
David Sosalla

Director:
Mimi Leder

Director of Photography:
Dietrich Lohmann

Dolly Grip:
Steve Robertson

Driver:
Edward Cook

Editor:
Paul Cichocki
David Rosenbloom

Electrician:
Eric S. Adamson

Executive Producer:
Steven Spielberg
Joan Bradshaw
Walter F. Parkes

Extras Casting:
Kimberly Skyrme

First Assistant Camera:
Andrew Priestley

First Assistant Director:
K.C. Colwell
Dana J. Kuznetzkoff
Robert Rooy

First Assistant Editor:
Scott Janush

Foley Artist:
Ginger Geary

Foley Mixer:
Eric Gotthelf

Foley Supervisor:
Jeff Rosen

Gaffer:
Jack Coffen

Greensman:
Jeff Brown
Frank McEldowney

Grip:
Nico Bally

Hair Department Head:
Waldo Sanchez

In Memory Of:
Dietrich Lohmann

Key Grip:
Tim Ryan

Key Production Assistant:
Jennifer L. Pearlman

Leadman:
Mark Sakamoto

Lighting Technician:
James Frederick

Location Assistant:
Brian Glazen

Location Manager:
George Herthel

Location Scout:
Kathleen Beall

Makeup Artist:
Barbara Lacy

Makeup Department Head:
John M. Elliott Jr.

Modeling:
Craig Lyn

Music Editor:
Joe E. Rand

Music Producer:
Simon Rhodes

Negative Cutter:
Doug Jones

Original Music Composer:
James Horner

Payroll Accountant:
Lori Ikeda

Post Production Supervisor:
Bradley M. Goodman

Producer:
Richard D. Zanuck
David Brown

Production Accountant:
Pam Kaye

Production Assistant:
Todd Carroll

Production Coordinator:
Eileen Godoy

Production Design:
Leslie Dilley

Production Driver:
Shaun Ryan

Production Executive:
Steven R. Molen

Production Secretary:
Bob Merrick

Production Supervisor:
Peter M. Tobyansen

Projection:
Timothy Greenwood

Property Master:
Batia Grafka
Tommy Tomlinson
Scott Nifong

Propmaker:
Randy L. Childs

Props:
Gary Tuers

Prosthetics:
Gary Archer

Rigging Grip:
Jerry Kim

Screenplay:
Bruce Joel Rubin
Michael Tolkin

Script Coordinator:
Larry Leahy

Script Supervisor:
Faith Conroy

Sculptor:
Cuitlahuac Morales Velazquez
David French

Second Assistant Accountant:
Jan Cosby

Second Assistant Camera:
Mindy Bee

Second Assistant Director:
Alison C. Rosa
Lisa M. Rowe
Glen Trotiner

Second Assistant Sound:
Jeff Cranford
Jonathan Phillips
David Werntz
Todd Harris

Second Second Assistant Director:
Paula Case

Second Unit Director:
E. J. Foerster
Mark Vargo

Second Unit First Assistant Director:
Cara Giallanza
Michele Ziegler

Set Buyer:
Carl Catanese

Set Costumer:
Marsha Bozeman
Bob Moore Jr.

Set Decoration:
Peg Cummings

Set Designer:
Josh Lusby
Dean Wolcott
Richard F. Mays
Suzan Torres

Set Dresser:
Shannon Curfman
David L. McGuire
Kristina Kilpe

Sound:
Mark Hopkins McNabb

Sound Assistant:
Robb Wilson

Sound Designer:
John P. Fasal

Sound Editor:
Patrick J. Foley

Sound Effects Editor:
Timothy A. Cleveland
John Voss Bonds Jr.
George Nemzer
Jayme S. Parker
Christopher S. Aud
Mark L. Mangino

Sound Recordist:
Philip Rogers

Special Effects Assistant:
Douglas Retzler

Special Effects Coordinator:
Michael Lantieri

Special Effects Technician:
Thomas Brown

Steadicam Operator:
Guy Norman Bee

Still Photographer:
Myles Aronowitz

Storyboard Artist:
Richard K. Buoen
Michael Anthony Jackson
Philip Keller
David Lowery
Raymond Prado

Stunt Coordinator:
Charles Croughwell

Stunt Double:
Danny Downey
Cinda-Lin James
Leigh Hennessy

Stunt Driver:
Michael Alexander Collins
Debbie Evans

Stunts:
Seth Arnett
Cinda-Lin James
Jennifer Lamb
Debbie Evans
Joni Avery

Supervising Music Editor:
Jim Henrikson

Supervising Sound Editor:
J. Paul Huntsman
Walter Newman

Systems Administrators & Support:
Toby Gallo

Technical Advisor:
Bert Maatta

Technical Supervisor:
Patrick Phillips

Thanks:
Alex Humphrey

Title Designer:
Phill Norman

Transportation Captain:
Maylon Houston

Transportation Coordinator:
Robert Neilson

Travel Coordinator:
Kurt Zelnak

Unit Production Manager:
D. Scott Easton

Unit Publicist:
Stuart Fink

Utility Stunts:
Scott Sproule

Video Assist Operator:
Roger Donegan

Visual Effects Art Director:
Alex Jaeger

Visual Effects Coordinator:
Adrienne Anderson
Janet Lewin

Visual Effects Editor:
Timothy Eaton

Visual Effects Producer:
Denise Ream

Visual Effects Production Assistant:
Paula Nederman

Visual Effects Supervisor:
Scott Farrar
Kenneth Jones

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.