James L. Carter

Gallery Unavailable

Alias:
James Carter

Additional information:

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Camera Operator:
1989  Hider in the House

Cinematography:
1985  Paradise Motel
1989  Hider in the House

Director of Photography:
1980  Don't Answer the Phone!
1980  Home Movies
1982  Satan's Mistress
1983  Sweet Sixteen
1985  Paradise Motel
1988  In Dangerous Company
1988  Terminal Entry
1989  Deadly Weapon
1989  Hider in the House
1990  Leatherface: The Texas Chainsaw Massacre III
1990  Playroom
1990  Spaced Invaders
1992  A Message from Holly
1992  One False Move
1994  F.T.W.
1994  In the Heat of Passion II: Unfaithful
1994  Justice in a Small Town
1994  The Road Killers
1994  Web of Deception
1995  Convict Cowboy
1995  Destiny Turns on the Radio
1996  Dying to Be Perfect: The Ellen Hart Pena Story
1997  Love's Deadly Triangle: The Texas Cadet Murder
1998  Phoenix
2000  My Dog Skip
2002  Red Skies
2002  Tuck Everlasting
2002  Zig Zag
2003  The Shape of Things
2004  Ladder 49
2004  Sleepover
2006  Walker Payne
2013  When Calls the Heart
2014  One Christmas Eve
2015  Away and Back

Second Unit Director of Photography:
1980  Don't Answer the Phone!
1980  Home Movies
1982  Forbidden World
1982  Satan's Mistress
1983  Sweet Sixteen
1985  Paradise Motel
1988  In Dangerous Company
1988  Terminal Entry
1989  Deadly Weapon
1989  Hider in the House
1990  Leatherface: The Texas Chainsaw Massacre III
1990  Playroom
1990  Spaced Invaders
1992  A Message from Holly
1992  One False Move
1994  F.T.W.
1994  In the Heat of Passion II: Unfaithful
1994  Justice in a Small Town
1994  The Road Killers
1994  Web of Deception
1995  Convict Cowboy
1995  Destiny Turns on the Radio
1996  Dying to Be Perfect: The Ellen Hart Pena Story
1997  Love's Deadly Triangle: The Texas Cadet Murder
1998  Phoenix
2000  My Dog Skip
2002  Red Skies
2002  Tuck Everlasting
2002  Zig Zag
2003  The Shape of Things
2004  Ladder 49
2004  Sleepover
2006  Walker Payne
2013  When Calls the Heart
2014  One Christmas Eve
2015  Away and Back

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.