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Tuck Everlasting (2002) [PG]

Release Date:
October 11, 2002

Original Title:
Tuck Everlasting

Alternate Titles:
Ölümsüz Aile
Örök kaland
Το Πέρασμα στην Ωριμότητα
真爱无尽

Genres:
Drama | Family | Fantasy | Romance

Production Companies:
Walt Disney Pictures

Production Countries:
United States of America

Ratings / Certifications:
DE: 6  JP: R15+  US: PG 

Runtime: 90

If you could choose to live forever, would you?

Overview from TheMovieDB

Teenager Winnie Foster is growing up in a small rural town in 1914 with her loving but overprotective parents, but Winnie longs for a life of greater freedom and adventure.

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Additional information:

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Trailer

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Performers

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Production

"B" Camera Operator:
Mark Van Loon

2D Supervisor:
Erik Liles

3D Modeller:
Yoshiya Yamada

ADR Editor:
Dean Beville
Harry B. Miller III

ADR Mixer:
Troy Porter
Doc Kane
Christina Tucker

Art Department Assistant:
Tiffany Zappulla

Art Direction:
Ray Kluga

Assistant Costume Designer:
Catharine Fletcher Incaprera
Lois DeArmond

Assistant Hairstylist:
Charmaine Henninger

Assistant Makeup Artist:
Gina W. Bateman

Assistant Property Master:
Lorraine Walker

Assistant Sound Editor:
Jamie Hardt

Boom Operator:
Jack M. Nietzsche Jr.

Camera Operator:
Martin J. Layton

Casting Director:
Barbara Cohen
Mary Gail Artz

Chief Lighting Technician:
Newton TerMeer

Color Timer:
Jeff Smithwick

Compositing Artist:
Brian Ali Harding

Construction Buyer:
David Beach

Construction Coordinator:
Michael Davis

Costume Design:
Carol Ramsey

Costume Supervisor:
Marisa Aboitiz
Christine Wada

Costumer:
Linda M. Boyland

Craft Service:
Thomas M. Cornelius

Dialogue Editor:
Cameron Steenhagen
Kira Roessler

Director:
Jay Russell

Director of Photography:
James L. Carter

Dolby Consultant:
Thom 'Coach' Ehle

Driver:
Gerald Titus

Editor:
Jay Cassidy

Executive Producer:
Deborah Forte
Armyan Bernstein
Max Wong
William Teitler
Thomas A. Bliss

Extras Casting:
Carlyn Davis
Molly Dedham

First Assistant Accountant:
Lori Scowley

First Assistant Director:
John Rusk

First Assistant Editor:
Dana Mulligan
Jonathan Chibnall

Foley Artist:
Edward M. Steidele

Foley Editor:
Dana Gustafson

Grip:
John C. Barber
Mark Hutchings
Brian Snell

Hair Department Head:
Janice Kinigopoulos

Key Costumer:
Jeannie Flynn
Mara Majorowicz

Key Grip:
Rodney French

Location Manager:
Kathi Ash

Makeup Department Head:
Thomas Nellen

Music Editor:
Lesley Langs

Negative Cutter:
Mary Beth Smith

Novel:
Natalie Babbitt

Original Music Composer:
William Ross

Producer:
Jane Startz
Marc Abraham

Production Accountant:
Frank J. Ellison

Production Coordinator:
Thomas 'Doc' Boguski

Production Design:
Tony Burrough

Production Sound Mixer:
Kirk Francis

Screenplay:
James V. Hart
Jeffrey Lieber

Script Supervisor:
Deirdre Horgan

Second Assistant Camera:
Mark Walpole

Second Assistant Director:
Alison C. Rosa

Second Unit Director of Photography:
Martin J. Layton

Set Decoration:
Catherine Davis

Sound Editor:
Jon Mete

Sound Re-Recording Mixer:
Samuel Lehmer

Special Effects Assistant:
Douglas Retzler

Special Effects Coordinator:
Mark Bero

Steadicam Operator:
Mark Van Loon

Still Photographer:
Ron Phillips

Stunt Coordinator:
G. A. Aguilar

Stunt Double:
Jennifer Badger
David Brian Martin
Rick LeFevour
Jeffrey Lee Gibson
Jay Spadaro
Bob Colletti

Stunts:
Peter Epstein
Blaise Corrigan

Supervising Sound Editor:
Charles Maynes
Stephen Hunter Flick

Unit Production Manager:
Dana Robin

Visual Effects Producer:
Cindy Jones

Visual Effects Supervisor:
Mat Beck

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.