A work in constant progress (and occasional regress).
Release Date:
October 1, 2004
Original Title:
Ladder 49
Alternate Titles:
Im Feuer - Ladder 49
Komanda 49: Ognennaya lestnitsa
Ladder Forty Nine
Pyrosvestikos stathmos 49
Stŭlba 49
Échelle 49
云梯49
Genres:
Action | Drama | Thriller
Production Companies:
Beacon Pictures
Casey Silver Productions
Fantail Films Inc.
Touchstone Pictures
Production Countries:
United States of America
Ratings / Certifications:
AT: 16 BR: 12 DE: 12 ES: 7 GR: PG HU: 12 IE: 12 PL: 16 US: PG-13
Runtime: 115
Under the watchful eye of his mentor, Captain Mike Kennedy, probationary firefighter Jack Morrison matures into a seasoned veteran at a Baltimore fire station. However, Jack has reached a crossroads as the sacrifices he's made have put him in harm's way innumerable times and significantly impacted his relationship with his wife and kids.
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ADR Mixer:
Doc Kane
ADR Voice Casting:
Barbara Harris
Additional Second Assistant Camera:
Ed Nessen
Additional Second Assistant Director:
Eric Richard Lasko
Art Department Coordinator:
Jane Burka
Art Department Production Assistant:
Nikki Taylor Roberts
Art Direction:
Gregory Bolton
Kevin Constant
Assistant Accountant:
Laura Connors
Assistant Art Director:
Hugo Santiago
Assistant Editor:
Jason Bretz
Assistant Location Manager:
Sandra Buttimer
Assistant Makeup Artist:
Terri Trupp
Assistant Production Coordinator:
Jennifer Madeloff
Associate Producer:
Anson Downes
Linda Favila
Manny Chavez
Best Boy Grip:
Jonas Lagunoff
Boom Operator:
William L. Kaplan
Camera Loader:
John Hamilton
Camera Operator:
Andy Colvin
Carpenter:
Bryan Badman
Casting:
Nancy Foy
Casting Assistant:
Cassandra Quigel
Casting Associate:
Kim Everett
Chef:
Philippe Gallichet
Co-Producer:
Chris Salvaterra
Color Timer:
Jeff Smithwick
Colorist:
David Bernstein
Conductor:
William Ross
Construction Coordinator:
Michael Davis
Construction Foreman:
Ted Lubonovich II
Controller:
Rob Mitchell
Costume Coordinator:
Stephanie Karangelen
Costume Design:
Renee Ehrlich Kalfus
Costume Supervisor:
Catharine Fletcher Incaprera
Costumer:
Deb Dalton
Craft Service:
Peter Evangelatos
Dialogue Editor:
Elizabeth Kenton
Digital Compositors:
Chris Flynn
Digital Imaging Technician:
Alan Gitlin
Director:
Jay Russell
Director of Photography:
James L. Carter
Driver:
Scott E. Corly
Editor:
M. Scott Smith
Bud S. Smith
Electrician:
Chris Henry
Executive In Charge Of Production:
Nancy Rae Stone
Executive Producer:
Marty P. Ewing
Armyan Bernstein
First Assistant Accountant:
Gail Rose
First Assistant Director:
Vincent Lascoumes
First Assistant Sound Editor:
Aynee Osborn
Foley Artist:
Edward M. Steidele
Foley Mixer:
Gary Coppola
Gaffer:
Newton TerMeer
Greensman:
Mike Raybould
Grip:
Vidal Cohen
Hairstylist:
Sherri Bramlett
Helicopter Camera:
Ronald Hersey
Key Costumer:
Mara Majorowicz
Key Hair Stylist:
Matt Danon
Key Rigging Grip:
Gary Kangrga
Lighting Technician:
Austin Cross
Line Producer:
Leigh Simons
Location Assistant:
Jessica Needleman
Location Manager:
Charles Thomas Baxter
Location Scout:
Caprice Ericson
Location Sound Mixer:
Peter Thomas
Makeup Artist:
David Atherton
Music Coordinator:
Natalie Baartz
Music Editor:
Bunny Andrews
Music Supervisor:
John Bissell
Negative Cutter:
Mary Beth Smith
Orchestrator:
Bruce Babcock
Original Music Composer:
William Ross
Painter:
Peter Oktavec
Payroll Accountant:
Taffy Schweickhardt
Picture Car Coordinator:
Gary Duncan
Post Production Assistant:
Jessica Needleman
Post Production Coordinator:
Judith Babcock
Post Production Supervisor:
John A. Amicarella
Producer:
Casey Silver
Production Accountant:
Don Miller
Production Assistant:
Matthew Barrabee
Production Coordinator:
Melissa Stanley Cohen
Production Design:
Tony Burrough
Production Executive:
Whitney Green
Production Supervisor:
Michele Giordano
Property Master:
Arthur Shippee
Propmaker:
Peter Damien
Pyrotechnician:
Ric San Nicholas
Rigging Gaffer:
Jay Kemp
Scoring Mixer:
Armin Steiner
Screenplay:
Lewis Colick
Script Supervisor:
Deirdre Horgan
Second Assistant Accountant:
Anthea Strangis
Second Assistant Camera:
Alisa M. Colley
Second Assistant Director:
Christophe Le Chanu
Second Second Assistant Director:
Julian Brain
Second Unit Director:
M. James Arnett
Security:
Miguel Sánchez
Set Costumer:
Lisa Dietrich
Set Decoration:
Maggie Martin
Set Decoration Buyer:
Tiffany Zappulla
Set Designer:
Paul D. Kelly
Set Dressing Artist:
Erik Boring
Sound Designer:
Thomas O'Neil Younkman
Sound Editor:
Paul Timothy Carden
Sound Effects Editor:
Rickley W. Dumm
Sound Mixer:
Kirk Francis
Sound Recordist:
Bill Meadows
Special Effects Coordinator:
Larry Fioritto
Special Effects Technician:
Robert L. Girard
Stand In:
Don Austin
Still Photographer:
Ron Phillips
Storyboard Artist:
Joseph Musso
Stunt Coordinator:
G. A. Aguilar
Stunt Double:
Bob Colletti
Stunts:
Peter Epstein
Roy Farfel
John Cenatiempo
Jill Brown
Supervising Sound Editor:
Kelly Cabral
Lauren Stephens
Technical Advisor:
Mark Yant
Title Designer:
Eric Ladd
Transportation Captain:
Gerald Titus
Transportation Co-Captain:
Douglas A. Walk
Transportation Coordinator:
Michael Luckeroth
Travel Coordinator:
Beth Dubber
Unit Production Manager:
Amy Herman
Unit Publicist:
Peter J. Silbermann
Video Assist Operator:
David 'Goldy' Goldsmith
Visual Effects:
Patrick Phillips
Visual Effects Coordinator:
Collin Fowler
Visual Effects Editor:
Miller Drake
Visual Effects Producer:
Darin McCormick-Millett
Visual Effects Supervisor:
Peter Donen
Wardrobe Supervisor:
Gail A. Fitzgibbons
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.