A work in constant progress (and occasional regress).
Continuity:
1976 1900
Editor:
1972 Man of the East
1976 1900
Post Production Coordinator:
1972 Man of the East
1976 1900
1976 Salò, or the 120 Days of Sodom
Production Manager:
1965 The Gospel According to Matthew
1972 Man of the East
1976 1900
1976 Salò, or the 120 Days of Sodom
Production Secretary:
1963 La bella di Lodi
1963 Ro.Go.Pa.G.
1965 The Gospel According to Matthew
1965 The Mandrake
1966 The Hawks and the Sparrows
1966 The Witch
1972 Man of the East
1976 1900
1976 Salò, or the 120 Days of Sodom
Script Supervisor:
1963 La bella di Lodi
1963 Ro.Go.Pa.G.
1965 The Gospel According to Matthew
1965 The Mandrake
1966 The Hawks and the Sparrows
1966 The Witch
1968 A Quiet Place in the Country
1972 Man of the East
1976 1900
1976 Salò, or the 120 Days of Sodom
Supervising Editor:
1963 La bella di Lodi
1963 Ro.Go.Pa.G.
1965 The Gospel According to Matthew
1965 The Mandrake
1966 The Hawks and the Sparrows
1966 The Witch
1968 A Quiet Place in the Country
1971 The Decameron
1972 Man of the East
1974 Arabian Nights
1976 1900
1976 Salò, or the 120 Days of Sodom
Unit Manager:
1963 Corruption
1963 La bella di Lodi
1963 Ro.Go.Pa.G.
1965 The Gospel According to Matthew
1965 The Mandrake
1966 The Hawks and the Sparrows
1966 The Witch
1968 A Quiet Place in the Country
1971 The Decameron
1972 Man of the East
1974 Arabian Nights
1976 1900
1976 Salò, or the 120 Days of Sodom
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.