A work in constant progress (and occasional regress).
Release Date:
September 16, 1966
Original Title:
La strega in amore
Alternate Titles:
Aura
La sorcière amoureuse
The Witch
The Witch in Love
Zakochana wiedzma
Genres:
Horror
Production Companies:
Arco Film
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 109
A historian goes to a castle library to translate some ancient erotic literature. While there he discovers what he believes to be supernatural forces at work.
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Assistant Camera:
Giovanni Bonivento
Sergio Salvati
Assistant Costume Designer:
Silvano Malta
Assistant Editor:
Rossana Maiuri
Assistant Makeup Artist:
Giuseppe Ferranti
Assistant Production Design:
Dante Ferretti
Boom Operator:
Armando Bondani
Camera Operator:
Arturo Zavattini
Costume Design:
Pier Luigi Pizzi
Director:
Damiano Damiani
Director of Photography:
Leonida Barboni
Editor:
Nino Baragli
First Assistant Director:
Fernando Morandi
Gaffer:
Massimo Massimi
Hairstylist:
Renata Magnanti
Key Grip:
Mariano Sargenti
Makeup Artist:
Otello Fava
Master at Arms:
Franco Fantasia
Novel:
Carlos Fuentes
Original Music Composer:
Luis Bacalov
Producer:
Alfredo Bini
Production Design:
Luigi Scaccianoce
Production Manager:
Fernando Franchi
Production Secretary:
Alfredo Di Santo
Enzo Ocone
Screenplay:
Damiano Damiani
Ugo Liberatore
Script Supervisor:
Marcella De Marchis
Sandro Rocco
Seamstress:
Mimma Olivieri
Maria Castrignano
Set Decoration:
Francesco Bronzi
Sound:
Franco Groppioni
Sound Mixer:
Emilio Rosa
Special Effects:
Carlo Rambaldi
Aldo Gasparri
Giuseppe Metalli
Still Photographer:
Divo Cavicchioli
Unit Manager:
Gilberto Scarpellini
Lucio Orlandini
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.