The Hawks and the Sparrows (1966) [NR]

Release Date:
May 4, 1966

Original Title:
Uccellacci e uccellini

Alternate Titles:
Des oiseaux, petits et gros
Hawks and Sparrows
Lieli putni, mazi putni
Stora stygga fåglar och små snälla
The Hawks and the Sparrows
Vilains oiseaux et Petits oiseaux
おおきなとりとちいさなとり

Genres:
Comedy | Fantasy

Production Companies:
Arco Film

Production Countries:
Italy

Ratings / Certifications:
DE: 16  FR: TP  IT: VM14  US: NR 

Runtime: 85

An off-beat comedy about serious matters by PIER PAOLO PASOLINI.

A man and his son take an allegorical stroll through life with a talking bird that spouts social and political philosophy.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Animal Wrangler:
Pino Serpe

Assistant Camera:
Antonio Orlandini
Sergio Rubini

Assistant Costume Designer:
Piero Cicoletti

Assistant Director:
Carlo Morandi
Vincenzo Cerami

Assistant Director Trainee:
Francesco Barilli

Assistant Editor:
Rossana Maiuri

Assistant Production Design:
Dante Ferretti

Boom Operator:
Armando Bondani

Camera Operator:
Gaetano Valle
Franco Di Giacomo

Conductor:
Bruno Nicolai

Costume Design:
Danilo Donati

Director:
Pier Paolo Pasolini

Director of Photography:
Mario Bernardo
Tonino Delli Colli

Editor:
Nino Baragli

Electrician:
Marcello Cardarelli
Alberto Ridolfi

Foley Artist:
Italo Cameracanna

Hairstylist:
Adriana Cassini

Key Grip:
Mariano Sargenti

Makeup Artist:
Vittorio Biseo

Original Music Composer:
Ennio Morricone

Producer:
Alfredo Bini

Production Design:
Luigi Scaccianoce

Production Manager:
Fernando Franchi

Production Secretary:
Enzo Ocone

Production Supervisor:
Gilberto Scarpellini

Screenplay:
Pier Paolo Pasolini

Script Supervisor:
Lina D'Amico

Sound:
Pietro Ortolani

Sound Effects Editor:
Italo Cameracanna

Sound Mixer:
Emilio Rosa

Still Photographer:
Divo Cavicchioli

Story:
Pier Paolo Pasolini

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.