Hayley Atwell (b. 1982)

Alias:
Hayley Elizabeth Atwell
Χέιλι Άτγουελ
Хейлі Етвел
היילי אטוול
היילי אליזבת' אטוול
هیلی آتول
ヘイリー・アトウェル
ヘイリー・エリザベス・アトウェル
海莉·阿特维尔
海莉・艾特沃
헤일리 앳웰

Birthplace:
London, England, UK

Born:
April 5, 1982

Hayley Elizabeth Atwell (born 5 April 1982) is a British and American actress. Born and raised in London, Atwell studied acting at the Guildhall School of Music and Drama, and made her stage debut in a 2005 production of James Kerr's translation of the Ancient Greek tragedy Prometheus Bound. She subsequently appeared in multiple West End productions and on television, and was recognised for her breakthrough role as Lady Elizabeth Foster in The Duchess (2008), for which she was nominated for a British Independent Film Award for Best Supporting Actress. Her leading performance in the miniseries The Pillars of the Earth (2010) earned her a nomination for the Golden Globe Award for Best Actress - Miniseries or Television Film.  Atwell rose to international prominence with her portrayal of Agent Peggy Carter in the Marvel Cinematic Universe superhero film Captain America: The First Avenger (2011), a role she reprised in the short film Agent Carter (2013) and the 2015–2016 television series of the same name in addition to other films and live-action and animated series. She also had roles in the war drama Testament of Youth (2014), the romantic fantasy Cinderella (2015), and the fantasy comedy-drama Christopher Robin (2018).  On the stage, Atwell has received Laurence Olivier Award nominations for Best Supporting Actress, for her role in A View from the Bridge (2010), and for Best Actress, for her leading performances in The Pride (2013) and Rosmersholm (2020). In 2020, Atwell began hosting the podcast series True Spies, which aims to give an insight into the world of espionage by asking listeners what they would do in real-life spy situations.

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.