José Marco Davó (1895-1974)

Alias:
Joe March
Jose Marco Davo
Jose Rosello
José Davó
José Marco Davo
Marco Davo
Marco Davó

Birthplace:
Orihuela, Alicante, Spain

Born:
May 10, 1895

Died:
September 27, 1974

José Marco Davó (Orihuela, Alicante, May 10, 1895 - Torrevieja, Alicante, September 27, 1974) was a Spanish actor.  His first contact with the world of cinema occurred in the mid-1930s with two supporting roles in adaptations of Carlos Arniches' works for the cinema: É My Man (1934), directed by Benito Perojo, and Don Quintin, la amargao (1935) , directed by Luis Buñuel and Luis Marquina.  After the conclusion of the Civil War and throughout the 1940s, focused on his theatrical vocation, he founded his own company and worked with Rafael López Somoza and Carlos Garriga, with whom he debuted works of his own and other writings in collaboration with Luis Tejedor and José Alfayate.  He returns to the cinema with the film Alba of America (1951), followed by La Guerra de Dios (1953) and El Mayor de Zalamea (1954). In 1955 he participated in Marcelino Pão e Vinho and, during the next fifteen years, he became a habitual secondary actor in Spanish cinematographic productions, until reaching a hundred films.  From Wikipedia (es), the free encyclopedia

Additional information:

The Search Form


  • 2018  Elite
    Cruz's attacker #3

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.