A work in constant progress (and occasional regress).
Release Date:
December 22, 1962
Original Title:
L'ombra di Zorro
Alternate Titles:
化身劍客
Genres:
Action | Adventure | Western
Production Companies:
Copercines
Explorer Film '58
PEA
Production Countries:
France | Italy | Spain
Ratings / Certifications:
N/A
Runtime: 87
A battle between revolutionary Mexicans and the U.S. cavalry brings Zorro onto the scene to enact vengeance for violent acts incurred by the cavalry Sergeant. Once the Sergeant is killed, Don Jose de la Torre retires from being Zorro and settles down to live a quiet life. The brother of the Sergeant, in an act of his own justice, dons the costume of Zorro and terrorizes the countryside. In an act to draw out the true Zorro, the imposter kidnaps Don Jose's wife, making him once again don the mask to rescue her.
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Assistant Camera:
Mauro Caiano
Diego Úbeda
Assistant Director:
Rafael Romero Marchent
Pino Passalacqua
Assistant Editor:
María Dolores Laguna
Boom Operator:
Raul Montesanti
Camera Operator:
Jorge Herrero
Mario Sensi
Costume Design:
Paquita Pons
Director:
Joaquín Romero Marchent
Director of Photography:
Enrico Betti Berutto
Rafael Pacheco
Editor:
Mercedes Alonso
Executive Producer:
Attilio Tosato
Hairstylist:
Antonia López
Line Producer:
Norberto Solino
Makeup Artist:
Cesare Pacelli
Antonio Florido
Music:
Manuel Parada
Francesco De Masi
Producer:
Alberto Grimaldi
Production Assistant:
Jesús Rancaño
Juan Campos
Production Design:
Luciano Vincenti
Production Manager:
Manuel Castedo
Attilio Tosato
Production Supervisor:
Pietro Nofri
Property Master:
Serafín García Trueba
Script Supervisor:
Lucía Martín
Set Decoration:
José Luis Galicia
Jaime Pérez Cubero
Sound:
Pietro Ortolani
Still Photographer:
Miguel Guzmán
Unit Manager:
Carlo Caiano
Wardrobe Master:
Paquita Pons
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.