A work in constant progress (and occasional regress).
Featuring:
Fernando Fernán Gómez, María Rosa Salgado, José Marco Davó
Written by:
Manuel Sebares
José María Pérez Lozano
José Antonio Nieves Conde
Directed by:
José Antonio Nieves Conde
Release Date:
February 24, 1958
Original Title:
El inquilino
Genres:
Comedy | Drama
Production Companies:
Films Españoles Cooperativa
Production Countries:
Spain
Ratings / Certifications:
ES: APTA
Runtime: 90
One unlucky day, a married couple with four children get an eviction notice: the building they live in is to be demolished. The family looks desperately for a new home, which is no easy task in Madrid in the fifties.
The humble physician's assistant Evaristo González and his wife Marta are busily looking for an apartment, as they have four small children and are living in rented accommodation in a building that should be demolished. But in 1958 in Spain was not as easy to access to a decent housing and the couple found themselves in dire straits to fulfill their dream, living in the process the most comical situations.
Assistant Camera:
Miguel Agudo
M. Hernández Sanjuán
Assistant Director:
Juan Serra
Assistant Set Decoration:
José Antonio de la Guerra
Camera Operator:
Salvador Gil
Construction Coordinator:
Juan García
Tomás Fernández
Director:
José Antonio Nieves Conde
Director of Photography:
Francisco Sempere
Editor:
Margarita Ochoa
Hairstylist:
Esperanza Paradela
Makeup Artist:
Julián Ruiz
Original Music Composer:
Miguel Asins Arbó
Production Assistant:
Ramón Crespo
Federico Vaquero
Production Manager:
Rafael Carrillo
Property Master:
Faustino Ocaña
Screenplay:
José María Pérez Lozano
José Antonio Nieves Conde
Manuel Sebares
Script Supervisor:
Juan García Atienza
Set Decoration:
Enrique Alarcón
Sound:
Alfonso Carvajal
Still Photographer:
Antonio Luengo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.