Helen Hunt

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Helen Hunt was a hair stylist in Hollywood movies from the 1930s up to 1967, when she worked on Guess Who's Coming to Dinner. She was the chief hair stylist for Columbia Pictures. Hunt fell into her career by accident. She was working as a stenographer for a costume company in Omaha, Nebraska. She began washing and arranging the company's wigs on her own time because they were being neglected. When she went into a shop to look over a display of wigs, she was offered a job by the owner, George Westmore of Hollywood. This eventually led to a position with Columbia Pictures. She worked with Rita Hayworth before the latter became a star. According to some sources, it was Hunt who came up with the idea to dye Hayworth's black hair auburn. She also arranged for the painful, lengthy electrolysis that raised Hayworth's hairline. During the course of her career, she also styled such stars as Irene Dunne, Rosalind Russell, Loretta Young and Evelyn Keyes. Cult movie actress Pamela Duncan credited Hunt with bringing her to the attention of the casting department of Columbia.

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Hair Designer:
1947  Down to Earth
1948  Best Man Wins
1955  Picnic
1955  The Man from Laramie
1956  Full of Life

Hairstylist:
1941  You'll Never Get Rich
1943  The Desperadoes
1944  Cover Girl
1946  Gilda
1946  Renegades
1946  The Jolson Story
1947  Blondie in the Dough
1947  Dead Reckoning
1947  Down to Earth
1947  Her Husband's Affairs
1947  It Had to Be You
1947  The Lady from Shanghai
1948  Best Man Wins
1948  Blondie's Reward
1948  Blondie's Secret
1948  Ladies of the Chorus
1948  Lulu Belle
1948  My Dog Rusty
1948  Port Said
1948  Rusty Leads the Way
1948  The Loves of Carmen
1948  The Mating of Millie
1948  The Prince Of Thieves
1948  The Sign of the Ram
1948  The Woman from Tangier
1948  Whirlwind Raiders
1949  All the King's Men
1949  And Baby Makes Three
1949  Anna Lucasta
1949  Knock on Any Door
1949  Miss Grant Takes Richmond
1949  Mr. Soft Touch
1949  Rusty's Birthday
1949  Shockproof
1949  Tell It to the Judge
1949  Tokyo Joe
1950  A Woman of Distinction
1950  Beware of Blondie
1950  Born Yesterday
1950  Convicted
1950  Fortunes of Captain Blood
1950  Harriet Craig
1950  In a Lonely Place
1950  Indian Territory
1950  Last of the Buccaneers
1950  Mark of the Gorilla
1950  No Sad Songs for Me
1950  Streets of Ghost Town
1950  The Blazing Sun
1950  The Fuller Brush Girl
1950  The Nevadan
1950  The Palomino
1950  The Petty Girl
1951  Death of a Salesman
1951  Sirocco
1951  Ten Tall Men
1951  The Barefoot Mailman
1951  The Family Secret
1951  The Lady and the Bandit
1951  The Son of Dr. Jekyll
1952  Affair in Trinidad
1952  Assignment: Paris
1952  Captain Pirate
1952  The Marrying Kind
1953  Bad for Each Other
1953  From Here to Eternity
1953  Let's Do It Again
1953  Miss Sadie Thompson
1953  The 5,000 Fingers of Dr. T.
1953  The Big Heat
1954  Human Desire
1954  It Should Happen to You
1954  Jesse James vs. the Daltons
1954  Phffft
1954  Pushover
1954  The Caine Mutiny
1955  My Sister Eileen
1955  Picnic
1955  Queen Bee
1955  The Last Frontier
1955  The Man from Laramie
1955  The Violent Men
1955  Tight Spot
1956  Full of Life
1956  Jubal
1956  Over-Exposed
1956  Storm Center
1956  The Harder They Fall
1956  The Solid Gold Cadillac
1957  3:10 to Yuma
1957  Pal Joey
1957  The Garment Jungle
1958  Bell, Book and Candle
1958  Cowboy
1958  Tales of Frankenstein
1958  The Last Hurrah
1959  Gidget
1959  The Crimson Kimono
1959  The Gene Krupa Story
1959  The Last Angry Man
1959  They Came to Cordura
1960  13 Ghosts
1960  Let No Man Write My Epitaph
1960  Song Without End
1960  The Wackiest Ship in the Army
1960  Who Was That Lady?
1961  A Raisin in the Sun
1961  Cry for Happy
1961  Underworld U.S.A.
1967  Guess Who's Coming to Dinner

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.