A work in constant progress (and occasional regress).
Featuring:
Louis Hayward, Jody Lawrance, Alexander Knox
Written by:
Mortimer Braus
Jack Pollexfen
Edward Huebsch
Directed by:
Seymour Friedman
Release Date:
October 31, 1951
Original Title:
The Son of Dr. Jekyll
Genres:
Crime | Horror | Romance
Production Companies:
Columbia Pictures
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 78
The son of the notorious Dr. Henry Jekyll is determined to prove that his father's reputation has been unjustly deserved. He sets out to develop his father's formula in order to prove that he was a brilliant scientist rather than a murderous monster.
Edward Jekyll, ignorant of how his father had brought forth death and destruction with his experiments, is pursuing a chemist career despite the fact that he has been discharged from school or his unorthodox experimentations. When the time comes for his father's estate, which had been put in trust, Edward first learns of his father's actions and rather than ignore the matter, sets out to prove that human personality can be changed by certain chemical stimulations. But he hasn't reckoned on Dr. Curtis Lanyon, a prominent doctor and close friend of the family. Lanyon wants to get his hands on the estate and resorts to murder and frame-ups to make Edward appear to be as insane as his father.
Art Direction:
Walter Holscher
Assistant Director:
James Nicholson
Costume Design:
Jean Louis
Director:
Seymour Friedman
Director of Photography:
Henry Freulich
Editor:
Gene Havlick
Hairstylist:
Helen Hunt
Makeup Artist:
Clay Campbell
Music Director:
Morris Stoloff
Original Music Composer:
Paul Sawtell
Paul Mertz
Set Decoration:
William Kiernan
Sound Engineer:
Jack A. Goodrich
Story:
Jack Pollexfen
Mortimer Braus
Stunt Double:
Paul Baxley
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.