A work in constant progress (and occasional regress).
Featuring:
Lee J. Cobb, Kerwin Mathews, Gia Scala
Written by:
Lester Velie
Harry Kleiner
Directed by:
Vincent Sherman, Robert Aldrich
Release Date:
May 1, 1957
Original Title:
The Garment Jungle
Alternate Titles:
Racket dans la couture
Ums nackte Leben
Genres:
Crime | Drama
Production Companies:
Columbia Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 88
Alan Mitchell returns to New York to work for his father Walter, the owner of a fashion house that designs and manufactures dresses. To stay non-union, Walter has hired Artie Ravidge, a hood who uses strong-arm tactics to keep the employees in line.
During the 1950s, the New York garment industry is going through a turmoil. On one side, the industry workers want to organize themselves into labor unions that will fight for them in obtaining better wages, better working conditions and other benefits. On the other side, the factory owners and their managers staunchly oppose unionization. At one of the largest garment companies, Roxton Fashions, the owner, Walter Mitchell, is fighting against his workers' wishes to unionize. For the past 15 years, Walter Mitchell has been using the mob muscle in order to protect his company against unions. His gangster friend Artie Ravidge, and his henchmen, provide Walter Mitchell and Roxton Fashions with such protection against union men who agitate the workers into forming their own union locals. This protection includes murder, whenever necessary, to eliminate stubborn union men. Unfortunately, when Walter Mitchell's business partner, Fred Kenner, argues in favor of allowing a union into their factory, he meets with a suspicious fatal accident. The freight elevator in which he was traveling plummets to the ground, after being serviced by a suspicious repair-man. After the funeral, Walter Mitchell's son, Alan Mitchell, who recently returns from the Korean War, starts asking questions about the rumors concerning Fred Kenner's assassination and about the role of the mob in his father's company. His father denies the rumors but his son becomes more suspicious. When a garment industry union organizer, Tulio Renata, comes into the factory and creates a scene, arguing with the factory owner and promising the forming of a union local for the workers, the owner's son starts making inquiries on his own, against his father's wishes. He befriends union man Tulio Renata in order to learn more about the just and fair aims of the union directed at the garment industry. First viewed with mistrust, the factory owner's son, gradually gains the respect and the trust of Renata, of the union men and the workers themselves. But this union-friendly attitude of Alan Mitchell draws the ire of his father who, once more, uses his gangster friend Artie Ravidge's services to eliminate his foes. Only, this time, his own son is on the side of the unions.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Robert Peterson
Assistant Director:
Irving J. Moore
Costume Design:
Jean Louis
Director:
Vincent Sherman
Director of Photography:
Joseph F. Biroc
Editor:
William A. Lyon
Hairstylist:
Helen Hunt
Makeup Artist:
Clay Campbell
Original Music Composer:
Leith Stevens
Producer:
Harry Kleiner
Recording Supervision:
John P. Livadary
Screenplay:
Harry Kleiner
Set Decoration:
William Kiernan
Frank Tuttle
Story:
Harry Kleiner
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.