A work in constant progress (and occasional regress).
Release Date:
September 14, 1995
Original Title:
Hackers
Alternate Titles:
Cybernet
Hackers les pirates du cyberespace
Hackers, piratas informáticos
Hakerzy
入侵網路
網路駭客
Genres:
Action | Crime | Drama | Thriller
Production Companies:
Metro-Goldwyn-Mayer
Suftley
United Artists
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: L DE: 12 DK: 15 ES: 16 FR: 12 GB: 12 US: PG-13
Runtime: 107
Along with his new friends, a teenager who was arrested by the US Secret Service and banned from using a computer for writing a computer virus discovers a plot by a nefarious hacker, but they must use their computer skills to find the evidence while being pursued by the Secret Service and the evil computer genius behind the virus.
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Art Direction:
John Frankish
Associate Producer:
Selwyn Roberts
Jacob Peratrovich
Casting:
Dianne Crittenden
Co-Producer:
Janet Graham
Costume Design:
Roger Burton
Dialogue Editor:
Philip Alton
Director:
Iain Softley
Director of Photography:
Andrzej Sekula
Editor:
Martin Walsh
Chris Blunden
Executive Producer:
Iain Softley
Music Editor:
Paul Rabjohns
Music Supervisor:
Bob Last
Original Music Composer:
Simon Boswell
Guy Pratt
Producer:
Ralph Winter
Michael Peyser
Production Design:
John Beard
Property Master:
Jeff Butcher
Keith Vowles
Script Supervisor:
Diana Dill
Set Decoration:
Joanne Woollard
Alyssa Winter
Set Dresser:
Jeffrey Rollins
Sound:
Peter Baldock
Sound Mixer:
Peter Lindsay
Sound Re-Recording Mixer:
John Hayward
Still Photographer:
Mark Tillie
Stunt Double:
Jennifer Badger
Stunts:
Jennifer Lamb
Supervising Sound Editor:
Glenn Freemantle
Victor J. Hernandez
Unit Production Manager:
Selwyn Roberts
Writer:
Rafael Moreu
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.