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José Salvador

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Film Performances

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Film Production

Director of Photography:
1970  ¿Por qué pecamos a los 40?

Still Photographer:
1962  Todos eran culpables
1963  Autopsia de un criminal
1963  Son of Hercules vs. Medusa
1964  Aquella joven de blanco
1964  Her and Fear
1965  Amador
1965  Left Handed Johnny West
1966  De barro y oro
1966  La ciudad no es para mí
1966  Nuevo en esta plaza
1966  Operación Plus Ultra
1967  Los chicos del Preu
1967  Sor Citroen
1967  The Midshipmen
1968  La chica de los anuncios
1968  ¡Cómo sois las mujeres!
1969  A 45 revoluciones por minuto
1969  Girlfriends
1969  Las nenas del mini-mini
1970  El astronauta
1970  El dinero tiene miedo
1970  Pierna creciente, falda menguante
1970  Verano 70
1970  ¿Por qué pecamos a los 40?
1971  Hay que educar a papá
1971  Una chica casi decente
1972  Las colocadas
1972  The Two Faces of Fear
1972  ¡No firmes más letras, cielo!
1974  Los nuevos españoles
1974  The Night of the Sorcerers
1974  Una pareja... distinta
1975  Death of a Hoodlum
1975  Mi mujer es muy decente, dentro de lo que cabe
1975  Night of the Howling Beast
1975  The Passengers
1976  Call girl: la vida privada de una señorita bien
1976  Un día con Sergio
1977  El ladrido
1977  ¡Bruja, más que bruja!
1977  ¡Susana quiere perder... eso!
1978  Estimado Sr. juez...
1980  El museo del Prado
1980  Le c... de Marilyne
1980  The Beasts' Carnival
1980  The Cantabrians
1983  El higo mágico
1987  The House of Bernarda Alba
1994  All Men Are the Same

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.