A work in constant progress (and occasional regress).
Release Date:
February 17, 1972
Original Title:
Coartada en disco rojo
Alternate Titles:
Alibi nella luce rossa
I due volti della paura
Les 2 visages de la peur
To teleio allothi
Genres:
Thriller
Production Companies:
B.R.C. Produzione Film
Tecisa Film
Production Countries:
Italy | Spain
Ratings / Certifications:
N/A
Runtime: 88
Doctor Miguel Azzini is found shot dead dead. The police suspect his colleagues: Elena Carli, his former mistress and owner of the clinic where he worked; Roberto Carli, her surgeon husband; Doctor Paula Lombardo, Roberto's mistress; and the clinic's administrator. Inspector Nardi discovers that Elena has a heart condition and had offered Miguel an increased sharehold in the clinic in order to dissuade him from leaving for another post. Elena's heart condition is worsened by the relentless police scrutiny and by her suspicion that Roberto is the murderer. She has to be rushed into hospital and is even more alarmed when Roberto prepares to operate...
Art Direction:
Francisco Canet Cubel
Gastone Carsetti
Assistant Camera:
José Cobos
Oddone Bernardini
Aldo Marchiori
Assistant Set Decoration:
Rafael Borqué
Camera Operator:
Teodoro Roa
Angelo Lannutti
Continuity:
Olga Moller
Director:
Tulio Demicheli
Director of Photography:
Manuel Rojas
Editor:
Ángel Serrano
Original Music Composer:
Franco Micalizzi
Producer:
José Gutiérrez Maesso
Production Assistant:
Antonio González
Ángel M. Ocaña
Production Manager:
Faustino Ocaña
Property Master:
Juan Gracia
Screenplay:
Pedro Mario Herrero
Mario Di Nardo
Still Photographer:
José Salvador
Story:
Pedro Mario Herrero
Technical Advisor:
Martínez Bordiú
Unit Manager:
Carlo Giovagnorio
Wardrobe Assistant:
Osanna Guardini
Wardrobe Supervisor:
Franco Antonelli
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.