Maxime Alexandre (b. 1971)

Alias:
Max Sender

Birthplace:
Ronse, East Flanders, Belgium

Born:
February 4, 1971

Maxime Alexandre was born in Renaix, Belgium, 1971. At five years old, he moved to Rome, Italy, with his mother, sisters, and brother. His stepfather, Inigo Lezzi (during that period A.D. for Marco Bellocchio, Gianni Amelio, and Nanni Moretti), let Maxime discover the Italian cinema sets one by one. Maxime soon worked as a young actor in several movies, including "Une Page d'Amour" directed by Elie Chouraqui, with Anouk Aimée and Bruno Cremer and Nanni Moretti's "Bianca" in 1984. A few years later, Maxime discovered his Photography passion on a set of a short-movie directed by his stepfather. In the late 1980s, Maxime moved with his family to Paris, where he began his career in the camera department working in commercials, learning from great Cinematographers like Darius Kondji, J.Y. Escoffier, P. Lhomme, Vilko Filak, and Italian cinematographers including Tonino Delli Colli and Franco Di Giacomo. His earliest work as a Director of Photography was shooting the second unit of a commercial for Michel Gondry. In 2001, Maxime met Alexandre Aja and Gregory Levasseur, working in the second unit for Aja's father, Alexandre Arkadi, on the movie "Break of Dawn" written by Aja and Levasseur. The three collaborated on Aja's directorial debut, "High Tension," two years later. The movie was internationally recognized as the beginning of the French New Wave of horror in the 2000s and was picked up for distribution by Lions Gate Films.  Maxime, Alexandre, and Gregory collaborated again on the remake of "The Hills Have Eyes" and "Mirrors." During the making of Hills Have Eyes, Maxime met Wes Craved, with whom he worked on "Paris, Je T'aime," an anthology film that grouped works from Alexander Payne, The Coen Brothers, Vincenzo Natali, and others, and the film was selected to screen at Un Certain Regard at the Cannes Film Festival, the second time for Maxime after "Marock," a movie directed by Laila Marrakchi in 2005.  In 2006, Maxime was recognized by Variety as one of its Ten Cinematographers to Watch.  Several other films have followed, including P2, directed by Franck Khalfoun; The Crazies, by Breck Eisner; The Voices, directed by Marjane Satrapi; The Crawl, by Alexandre Aja; Shazam, by David F. Sandberg and soon-to-be-release Never let go by Alexandre Aja and Paris Paradis by Marjane Satrapi.

Additional information:

The Search Form


Additional Director of Photography:
2024  The First Omen

Cinematography:
2011  The End
2011  The Rif Lover
2024  The First Omen

Director:
2009  Holy Money
2010  Christopher Roth
2011  The End
2011  The Rif Lover
2024  The First Omen

Director of Photography:
2003  High Tension
2004  Mixed Marriage
2004  The Defender
2005  Marock
2006  Paris Je T'aime
2006  The Hills Have Eyes
2006  The Last Drop
2007  Catacombs
2007  P2
2008  Mirrors
2009  Holy Money
2010  Christopher Roth
2010  The Crazies
2011  The End
2011  The Rif Lover
2012  Maniac
2012  Silent Hill: Revelation 3D
2012  The Devil's Dosh
2014  Earth to Echo
2014  The Voices
2015  Grotto
2015  Lady of Csejte
2016  The 9th Life of Louis Drax
2016  The Other Side of the Door
2016  The Warriors Gate
2017  Annabelle: Creation
2018  The Nun
2019  Countdown
2019  Crawl
2019  Shazam!
2020  Come Play
2021  Oxygen
2021  Resident Evil: Welcome to Raccoon City
2023  Role Play
2023  The Cello
2024  Dear Paris
2024  Never Let Go
2024  The First Omen

Writer:
2003  High Tension
2004  Mixed Marriage
2004  The Defender
2005  Marock
2006  Paris Je T'aime
2006  The Hills Have Eyes
2006  The Last Drop
2007  Catacombs
2007  P2
2008  Mirrors
2009  Holy Money
2010  Christopher Roth
2010  The Crazies
2011  The End
2011  The Rif Lover
2012  Maniac
2012  Silent Hill: Revelation 3D
2012  The Devil's Dosh
2014  Earth to Echo
2014  The Voices
2015  Grotto
2015  Lady of Csejte
2016  The 9th Life of Louis Drax
2016  The Other Side of the Door
2016  The Warriors Gate
2017  Annabelle: Creation
2018  The Nun
2019  Countdown
2019  Crawl
2019  Shazam!
2020  Come Play
2021  Oxygen
2021  Resident Evil: Welcome to Raccoon City
2023  Role Play
2023  The Cello
2024  Dear Paris
2024  Never Let Go
2024  The First Omen

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.