A work in constant progress (and occasional regress).
Release Date:
February 25, 2016
Original Title:
The Other Side of the Door
Alternate Titles:
El otro lado de la puerta
鬼門開
Genres:
Horror | Thriller
Production Companies:
Fire Axe Pictures
Fugitive Studios
HireWorks
Kriti Productions
Lipsync Productions
Pindrop
Production Countries:
India | United Kingdom
Ratings / Certifications:
DE: 16 DK: 15 ES: 16 FR: 12 IE: 16 PL: 18 RO: 18 US: R
Runtime: 96
Grieving over the loss of her son, a mother struggles with her feelings for her daughter and her husband. She seeks out a ritual that allows her say goodbye to her dead child, opening the veil between the world of the dead and the living. Her daughter becomes the focus of terror. She must now protect against the evil that was once her beloved son.
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Art Direction:
Prashant Laharia
Casting:
Julie Harkin
Michael Hothorn
Co-Producer:
Justine Raczkiewicz
Costume Design:
Nidhi Gambhir
Divvya Gambhir
Creature Design:
Dan Martin
Director:
Johannes Roberts
Director of Photography:
Maxime Alexandre
Editor:
Baxter
Executive Producer:
Josh Varney
Tim Cole
Foley Artist:
Peter Burgis
Andrea King
Jack Stew
Foley Editor:
Peter Hanson
Linda Brenon
Foley Mixer:
Glen Gathard
Makeup Designer:
Bella Cruickshank
Jemma Harwood
Original Music Composer:
Joseph Bishara
Producer:
Alexandre Aja
Rory Aitken
Ben Pugh
Anna Kokourina
Production Design:
Bryan David
Set Decoration:
Agnes Goveas
Fran Cooper
Sound Designer:
Michael Fentum
Sound Effects Editor:
Rodney Berling
Luke O'Connell
Steven Parker
Sound Re-Recording Mixer:
Brendan Nicholson
Special Effects Makeup Artist:
Hermes Pittakos
Dan Martin
Writer:
Ernest Riera
Johannes Roberts
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.