A work in constant progress (and occasional regress).
Release Date:
November 18, 2016
Original Title:
The Warriors Gate
Alternate Titles:
Brána válečníků
Cổng Chiến Binh
El portal del guerrero
Enter the Warriors Gate
Gizemli Geçit
I pili tou polemisti
Kalandorok kapuja
La Puerta Del Guerrero
La Puerta del Guerrero
La Puerta del guerrero
O Portal do Guerreiro
Poarta eroilor
Portal dos Guerreiros
The Warrior's Gate
Vrata ratnika
Wrota bohaterów
Yongshi zhi men
Įeiti pro karių vartus
Η Πύλη του Πολεμιστή
Врата воинов
Портал на воините
ウォリアー・ゲート 時空を超えた騎士
勇士之門
勇士之门
Genres:
Action | Adventure | Comedy | Family | Fantasy
Production Companies:
Canal+
China Film Co-Production Corp.
Ciné+
EuropaCorp
Fundamental Films
Screen Siren Pictures
Transfilm International
Production Countries:
Canada | China | France
Ratings / Certifications:
DE: 12 JP: G NL: 12 SK: 15 US: PG-13
Runtime: 108
After a mysterious chest opens a gateway through time, teen gamer Jack is transported to an ancient empire terrorized by a cruel barbarian king. Jack will need all of his gaming skills as he battles to defeat the barbarian, protect a beautiful princess, and somehow find his way back home.
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Art Direction:
Patrick Tandiang
Christian Vallat
Gilles Boillot
Lilith Bekmezian
Costume Consultant:
Edith Vesperini
Digital Imaging Technician:
Arnaud Hémery
Director:
Matthias Hoene
Director of Photography:
Maxime Alexandre
Editor:
Audrey Simonaud
Line Producer:
Natacha Devillers
Original Music Composer:
Klaus Badelt
Production Design:
Hugues Tissandier
Sound Editor:
Stephane Rabeau
Steadicam Operator:
Lorenzo Donati
Still Photographer:
Ben Rothstein
Stunt Coordinator:
Owen Walstrom
Stunt Driver:
Ed Anders
Supervising Sound Editor:
Ken Yasumoto
VFX Supervisor:
Christian Rajaud
Writer:
Robert Mark Kamen
Luc Besson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.