A work in constant progress (and occasional regress).
Additional First Assistant Camera:
2007 A Dream House Nightmare
Assistant Camera:
2005 I Love You in Every Language in the World
2007 7 and 8
2007 A Dream House Nightmare
Camera Operator:
2005 I Love You in Every Language in the World
2007 7 and 8
2007 A Dream House Nightmare
2018 The Armadillo's Prophecy
2019 Don't Stop Me Now
2020 18 Presents
2021 Fortuna
Director of Photography:
2005 I Love You in Every Language in the World
2007 7 and 8
2007 A Dream House Nightmare
2018 The Armadillo's Prophecy
2019 Bangla
2019 Don't Stop Me Now
2020 18 Presents
2021 Fortuna
2023 Gli attassati
2023 Pantafa
2023 Scordato
First Assistant Camera:
2005 I Love You in Every Language in the World
2007 7 and 8
2007 A Dream House Nightmare
2010 Tutto l'amore del mondo
2018 The Armadillo's Prophecy
2019 Bangla
2019 Don't Stop Me Now
2020 18 Presents
2021 Fortuna
2023 Gli attassati
2023 Pantafa
2023 Scordato
Second Assistant Camera:
1998 Mr. Fifteen Balls
2000 La carbonara
2003 Suddenly Heaven
2005 Come Into the Light
2005 I Love You in Every Language in the World
2007 7 and 8
2007 A Dream House Nightmare
2010 Tutto l'amore del mondo
2018 The Armadillo's Prophecy
2019 Bangla
2019 Don't Stop Me Now
2020 18 Presents
2021 Fortuna
2023 Gli attassati
2023 Pantafa
2023 Scordato
Steadicam Operator:
1998 Mr. Fifteen Balls
2000 La carbonara
2003 Suddenly Heaven
2005 Come Into the Light
2005 I Love You in Every Language in the World
2007 7 and 8
2007 A Dream House Nightmare
2010 Tutto l'amore del mondo
2017 Like a Cat on a Highway
2017 Mom or Dad?
2018 The Armadillo's Prophecy
2019 Bangla
2019 Don't Stop Me Now
2020 18 Presents
2021 Fortuna
2023 Gli attassati
2023 Pantafa
2023 Scordato
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.