A work in constant progress (and occasional regress).
Release Date:
February 14, 2017
Original Title:
Mamma o papà?
Genres:
Comedy
Production Companies:
Medusa Film
Wildside
Production Countries:
Italy
Ratings / Certifications:
IT: T
Runtime: 98
A divorced couple fights for the custody of their three children: neither of them wants it. Mom wants to leave them to dad, and vice versa.
Assistant Camera:
Daniele Traettino
Danilo Caruso
Assistant Editor:
Alessandra Guerra
Bruna Viti
Assistant Location Manager:
Matteo Leurini
Assistant Production Design:
Alberto Duelli
Boom Operator:
Alberto Padoan
Camera Operator:
Andrea Beck Peccoz
Casting:
Dario Ceruti
Co-Producer:
Lorenzo Gangarossa
Costume Design:
Alberto Moretti
Delegated Producer:
Saverio Giuseppe Guarascio
Karin Annell
Director:
Riccardo Milani
Director of Photography:
Saverio Guarna
Editor:
Patrizia Ceresani
Executive Producer:
Olivia Sleiter
First Assistant Director:
Ciro Visco
Clara Zuliani
Gaffer:
Otello Diodato
Hair Department Head:
Armido Pezzato
Key Grip:
Paolo Tiberti
Line Producer:
Gianluca Leurini
Location Manager:
Gianni Antonio Grazioli
Davide Rizzo
Makeup Department Head:
Martina Cossu
Original Film Writer:
Alexandre de La Patellière
Matthieu Delaporte
Original Music Composer:
Andrea Guerra
Post Production Coordinator:
Brando Taccini
Producer:
Mario Gianani
Lorenzo Mieli
Production Coordinator:
Giorgia Passarelli
Production Design:
Maurizio Leonardi
Production Manager:
Roberto Leone
Production Secretary:
Gabriella Colecchia
Screenplay:
Riccardo Milani
Paola Cortellesi
Giulia Calenda
Script Supervisor:
Chiara Milani
Second Assistant Director:
Veronica Ponzoni
Set Decoration:
Davide Anello
Sound:
Adriano Di Lorenzo
Sound Editor:
Lilio Rosato
Sound Mixer:
Francesco Cucinelli
Special Effects Coordinator:
Franco Galiano
Steadicam Operator:
Simone D'Onofrio
Unit Manager:
Fabio Mancini
VFX Supervisor:
Stefano Marinoni
Visual Effects Producer:
Paola Trisoglio
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.