A work in constant progress (and occasional regress).
Release Date:
January 21, 2005
Original Title:
Alla luce del sole
Alternate Titles:
A pleno sol
By the Light of Day
Come Into the Light
Genres:
Crime | Drama | History
Production Companies:
Jean Vigo Italia
Mikado Film
RAI Cinema
Production Countries:
Italy
Ratings / Certifications:
AR: 13 GB: 15 IT: T
Runtime: 90
In 1990s Palermo, Pino Puglisi is a priest from the neglected Brancaccio neighborhood dedicated in helping kids to get off the streets and creating an embracing place of hope and solidarity in his church, which means trouble for the local Mafia. He continues his solitary fight until the bitter end.
Accountant:
Stefano Bassetti
Assistant Costume Designer:
Natasha Marinacci
Samuela Cirrone
Assistant Editor:
Francesco Bilotti
Bruna Viti
Anna Del Dotto
Assistant Production Design:
Sergio Tribastone
Marcello Di Carlo
Assistant Property Master:
Nunzio La Venuta
Antonino Pagano
Salvatore Castronuovo
Boom Operator:
Andrea Dallimonti
Camera Operator:
Alessandro Ghiara
Gianmaria Majorana
Casting Coordinator:
Dino Gentili
Casting Director:
Shaila Rubin
Chief Lighting Technician:
Claudio Gallicchio
Co-Writer:
Gianni Arduini
Giacomo Faenza
Dino Gentili
Filippo Gentili
Cristiana Del Bello
Color Grading:
Gianni Cerniglia
Color Timer:
Pasquale Cuzzupoli
Costume Design:
Sonu Mishra
Creature Effects Technical Director:
Sergio Stivaletti
Dialogue:
Lollo Franco
Director:
Roberto Faenza
Director of Photography:
Italo Petriccione
Editor:
Massimo Fiocchi
Executive Producer:
Claudio Grassetti
Giulio Cestari
Extras Casting Coordinator:
Alessandra D'Alessandro
Davide Scibilia
Stefania Mazzola
Alice Lo Cascio
Francesca Fatta
Arianna Caruso
Tiziana Barca
First Assistant Camera:
Claudio Palmieri
Simone Zampagni
First Assistant Director:
Gaia Gorrini
Gaffer:
Angelo Castagna
Roberto Magliozzo
Massimo Moreschini
Cristiano Trentini
Generator Operator:
Alberto Grassi
Grip:
Francesco Magliozzo
Umberto Volpe
Guido Mestre
Hair Department Head:
Ferdinando Merolla
Hairstylist:
Dorotea Tomasello
Key Grip:
Massimo Barbona
Line Producer:
Silvia Scerrino
Location Manager:
Chiara Vullo
Makeup Artist:
Raffaella Ragazzi
Makeup Department Head:
Maurizio Nardi
Music:
Andrea Guerra
Painter:
Paola Santini
Post Production Supervisor:
Franco Casellato
Producer:
Elda Ferri
Production Accountant:
Carlo Caputo
Production Assistant:
Pasquale Di Giovanni
Umberto Lepre
Leandro Lepre
Rosolino Pizzuto
Production Design:
Davide Bassan
Production Secretary:
Antonella Sorce
Salvatore Prestifilippo
Aline Del Campo
Marcello Colantoni
Prop Designer:
Luca Bucciarelli
Property Master:
Giuseppe Proia
Screenplay:
Roberto Faenza
Script Supervisor:
Francesca Muscolino
Seamstress:
Vincenza Maria Marfia
Zaira Musso
Second Assistant Camera:
Simone D'Onofrio
Second Assistant Director:
Antonio Bellia
Second Second Assistant Director:
Guia Garsia
Sound:
Mario Dallimonti
Sound Editor:
Marzia Cordò
Sound Mixer:
Danilo Moroni
Still Photographer:
Olimpia Pallavicino Mossi
Story:
Roberto Faenza
Stunt Coordinator:
Massimo Vanni
Stunts:
Saverio D'Amico
Alessandro Gaudio
Unit Production Manager:
Nicoletta Maggi
Anita Pellacci
Giovanni Federico
VFX Supervisor:
Stefano Marinoni
Video Assist Operator:
Giuseppe Franco Giorgianni
Video Report:
Filippo Macelloni
Visual Effects Assistant Editor:
Federica Nisi
Visual Effects Producer:
Paola Trisoglio
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.