A work in constant progress (and occasional regress).
Alias:
Emilie Ghigo
Production Design:
1988 To Kill a Priest
1994 Torment
1995 Fiesta
1995 Fresh Bait
2000 Tomorrow's Another Day
2002 Special Delivery
2005 Camping à la ferme
2005 Nuit noire, 17 octobre 1961
2005 Zim and Co
2007 Could This Be Love?
2008 Mesrine: Killer Instinct
2013 Jappeloup
2013 The French Minister
2014 The Search
2015 One Wild Moment
2017 Dalida
2017 The Brigade
2018 The Emperor of Paris
2022 The Time of Secrets
Set Decoration:
1988 To Kill a Priest
1994 Torment
1995 Fiesta
1995 Fresh Bait
2000 Tomorrow's Another Day
2002 Safe Conduct
2002 Special Delivery
2005 Camping à la ferme
2005 Nuit noire, 17 octobre 1961
2005 Zim and Co
2007 Could This Be Love?
2008 Mesrine: Killer Instinct
2013 Jappeloup
2013 The French Minister
2014 The Search
2015 One Wild Moment
2017 Dalida
2017 The Brigade
2018 The Emperor of Paris
2022 The Time of Secrets
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.