A work in constant progress (and occasional regress).
Release Date:
September 7, 1988
Original Title:
To Kill a Priest
Alternate Titles:
Le complot
Genres:
Drama | History | Thriller
Production Companies:
Columbia Pictures
France 3 Cinéma
J.P. Productions
Sofica Valor
Production Countries:
France | United States of America
Ratings / Certifications:
N/A
Runtime: 117
A young priest speaks out against the Communist regime in Poland and is killed for it.
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Adaptation:
Michael Cooper
Art Direction:
Jean-Claude Cabouret
Assistant Art Director:
Frédéric Pidancet
Jean-Pierre Clech
Assistant Unit Manager:
Clément Sentilhes
Daniel Baschieri
Arnaud Esterez
Olivier Rohde
Associate Producer:
Michael Cooper
Marie-Christine Lefebvre
Boom Operator:
Jean-Marie Blondel
Camera Operator:
Jean Harnois
Casting:
Margot Capelier
Priscilla John
Casting Associate:
Marie-Sylvie Caillierez
Co-Producer:
Timothy Burrill
Color Timer:
Olivier Fontenay
Conductor:
Georges Delerue
Continuity:
Elsa Chabrol
Costume Design:
Anna B. Sheppard
Costumer:
Laurent Coutellier
Director:
Agnieszka Holland
Director of Photography:
Adam Holender
Editor:
Hervé de Luze
First Assistant Director:
Mishka Cheyko
Gaffer:
Jean-Claude Le Bras
Hairstylist:
Isabelle Gamsohn
Makeup Artist:
Didier Lavergne
Music:
Georges Delerue
Producer:
Jean-Pierre Alessandrini
Production Design:
Emile Ghigo
Production Manager:
Gérald Molto
Production Sound Mixer:
Daniel Brisseau
Screenplay:
Agnieszka Holland
Screenstory:
Agnieszka Holland
Second Assistant Director:
Michel Ferry
Set Decoration:
Danka Semenovicz
Songs:
Joan Baez
Zbigniew Preisner
Sound:
William Flageollet
François Groult
Sound Editor:
Michel Klochendler
Gérard Hardy
Sound Re-Recording Mixer:
Gérard Lamps
Special Effects:
Jean-Charles Drevelle
Steadicam Operator:
Marc Koninckx
Stunt Coordinator:
Daniel Breton
Stunt Double:
Lee Sheward
Stunts:
Daniel Breton
Third Assistant Director:
Camille Lipmann
Luc Etienne
Unit Manager:
Olivier Thaon
Jean-Marc Deschamps
Wardrobe Supervisor:
Mic Cheminal
Writer:
Jean-Yves Pitoun
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.