James Ellroy (b. 1948)

Alias:
Lee Earle Elroy

Birthplace:
Los Angeles, California, USA

Born:
March 4, 1948

From Wikipedia, the free encyclopedia.  James Ellroy (born March 4, 1948) is an American crime fiction writer and essayist. Ellroy has become known for a so-called "telegraphic" prose style in his most recent work, wherein he frequently omits connecting words and uses only short, staccato sentences, and in particular for the novels The Black Dahlia (1987), The Big Nowhere (1988), L.A. Confidential (1990), White Jazz (1992), American Tabloid (1995), The Cold Six Thousand (2001), and Blood's a Rover (2009).  Description above from the Wikipedia article James Ellroy, licensed under CC-BY-SA, full list of contributors on Wikipedia

Additional information:

The Search Form


Novel:
1988  Cop
1997  L.A. Confidential
1998  Brown's Requiem
2002  Stay Clean
2003  L.A. Confidential
2006  The Black Dahlia

Screenplay:
1988  Cop
1997  L.A. Confidential
1998  Brown's Requiem
2002  Stay Clean
2003  L.A. Confidential
2006  The Black Dahlia
2008  Street Kings
2011  Rampart

Story:
1988  Cop
1997  L.A. Confidential
1998  Brown's Requiem
2002  Dark Blue
2002  Stay Clean
2003  L.A. Confidential
2006  The Black Dahlia
2008  Street Kings
2011  Rampart

Writer:
1988  Cop
1997  L.A. Confidential
1998  Brown's Requiem
2002  Dark Blue
2002  Stay Clean
2003  L.A. Confidential
2003  L.A. County 187
2006  The Black Dahlia
2008  Street Kings
2011  Rampart

Creator:
????  The Lead Sheet

Story:
1993  Fallen Angels
????  The Lead Sheet

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.