A work in constant progress (and occasional regress).
Release Date:
February 5, 1988
Original Title:
Cop
Alternate Titles:
Cop
Cop, amb la llei o sense
Genres:
Crime | Drama | Mystery | Thriller
Production Companies:
Atlantic Entertainment Group
Harris-Woods Productions
Polyphony Digital
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 ES: 18 FR: 12 IE: 16 NL: 18 US: R
Runtime: 110
An obsessive, insubordinate homicide cop is convinced a serial killer is loose in the Hollywood area and disobeys orders in order to catch him.
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ADR Editor:
Thomas Whiting
Assistant Editor:
Brion McIntosh
Assistant Location Manager:
LuAnne Cadd
Assistant Production Design:
Jody Gaber
Assistant Property Master:
Jeffrey Moore
Assistant Set Decoration:
Chava Danielson
Best Boy Electric:
Stephen Sharp
Best Boy Grip:
Peter Chrimes
Boom Operator:
Michael Perry
Camera Operator:
S. Phillip Sparks
Carpenter:
John Davenport
John Frady
Michael Hirst
Casting:
Pamela Guest
Casting Assistant:
Robyn Ray
Teri Tunder
Cinematography:
Steve Dubin
Color Timer:
Phil Downey
Construction Coordinator:
Mitch Eakin
Costume Design:
Gale Parker
Costumer:
Joan Hunter
Kathryn Sparks
Director:
James B. Harris
Director of Photography:
Steve Dubin
Dolly Grip:
Malcolm Doran II
Editor:
Anthony Spano
Electrician:
Rick Hamilton
Gene Hara
Executive Producer:
Thomas Coleman
Michael Rosenblatt
Extras Casting:
Lee Kissik
First Assistant Camera:
Jeff Cronenweth
Samuel Buddy Fries
First Assistant Director:
Richard Alexander Wells
Foley Editor:
Duke Brown
Kevin Rockey
Casey Troutman
Foley Recordist:
David W. Alstadter
Gaffer:
John Luker
Hairstylist:
April Alexandre
Lisa Meyers
Key Grip:
Ron McCausland
Key Makeup Artist:
Deborah Figuly
Leadman:
Monti Santilli Rainbolt
Location Manager:
Paul Hargrave
Makeup Artist:
April Alexandre
Music Editor:
Ken Johnson
Steve Livingston
Negative Cutter:
Dode Weyant
Novel:
James Ellroy
Original Music Composer:
Michel Colombier
Producer:
James B. Harris
James Woods
Production Coordinator:
Shirley Bukrey
Sarah Johnstone
Production Design:
Gene Rudolf
Production Secretary:
Karen R. Sachs
Production Sound Mixer:
Tom Ruff
Projection:
Rob Putansu
Property Master:
Barbara Benz
Scoring Mixer:
Rocky Moriana
Screenplay:
James B. Harris
Script Supervisor:
Suzanne Gundlach
Second Assistant Camera:
Kevin Kuhn
Second Assistant Director:
Linda Rockstroh
Set Decoration:
Kathy Curtis-Cahill
Set Dresser:
Paula Elizabeth Gertz
Ronald Moseley
Set Painter:
Christa Munro
Sound Designer:
Dan Harville
Sound Effects Editor:
Michael P. Cook
Ed Fassl
Sound Mixer:
Walter Hoylman
Sound Re-Recording Mixer:
Robert W. Glass Jr.
Robert Thirlwell
Special Effects Coordinator:
Larry Fioritto
Special Effects Makeup Artist:
Bill Myer
Stand In:
Katy Garretson
Still Photographer:
Shirley Bukrey
Stunt Coordinator:
Steven Lambert
Stunts:
Steve Kelso
Steven Lambert
Vince Deadrick Sr.
Dennis McLaughlin
Denver Mattson
Lisa McCullough
Supervising Producer:
John Strong
Supervising Sound Editor:
Clancy T. Troutman
Supervising Sound Effects Editor:
Marty Stein
Swing:
Jeff Cazanov
Richard Dearborn
Chuck Roseberry
Steven B. Searpias
Transportation Coordinator:
Gary Hanekamp
Unit Production Manager:
Ann Kindberg
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.