A work in constant progress (and occasional regress).
Release Date:
November 1, 1998
Original Title:
Brown's Requiem
Genres:
Action | Drama | Mystery | Thriller
Production Companies:
J & T Productions
Savvy Lad, Inc
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 104
Fritz Brown is an ex-LAPD, recovering alcoholic who now splits his time repossessing cars for a used car lot and staffing his one-man private detective agency. When a filthy caddie named Freddy "Fat Dog" Baker wanders into Fritz's office one day, flashing a wad of cash, Fritz is hired to follow Fat Dog's kid sister Jane, who is holed up with a Beverly Hills sugar daddy named Sol Kupferman. Kupferman is a 70 year-old bag man for the mob, and Fat Dog claims that "Solly K" is up to something evil that may harm Jane. The trail leads Fritz to an encounter with his dark past in the person of Haywood Cathcart, current head of LAPD internal affairs and the person who kicked Fritz off the police force.
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ADR Mixer:
Eric Thompson
ADR Recordist:
Shawn Kennelly
Additional Second Assistant Camera:
Gary Webster
Nathan Berggren
Additional Set Dresser:
Sandy Adams
Art Direction:
Mike Islas
Assistant Art Director:
Mehrnaz Ghappari
Assistant Editor:
Bryan Lamoureux
Assistant Makeup Artist:
Alejandra Motamed
Merc Arceneaux
Assistant Production Coordinator:
Philip Lester
Assistant Set Dresser:
Janette E. Kim
Associate Producer:
Erik Kritzer
Matt Radecki
Kit jennings
Michael Rooker
Scott J. Jones
Boom Operator:
Vincent Schelly
Casting:
Joseph Middleton
Casting Associate:
Michelle Morris
Costume Design:
Mimi Melgaard
Costume Supervisor:
Ruth Allegra Peña
Dialogue Editor:
Paul Curtis
John C. Stuver
Director:
Jason Freeland
Director of Photography:
Seo Mutarevic
Editor:
Toby Yates
Executive Producer:
Mark Ezralow
John McDonnell III
Theodore J. Farnsworth
First Assistant Camera:
David Sammons
First Assistant Director:
George Bamber
Foley Artist:
Sean Rowe
Joan Rowe
Foley Mixer:
Eric Thompson
Key Hair Stylist:
Cindy Dalvano
Key Makeup Artist:
Shirra
Music Consultant:
Greg Longstreet
Music Editor:
Michael Baber
Jennifer Blank
Kim Naves
Music Supervisor:
Todd Rosenberg
Novel:
James Ellroy
On Set Dresser:
Liba Daniels
Original Music Composer:
Cynthia Millar
Post Production Supervisor:
Teresa Kelly
Producer:
Tim Youd
David Scott Rubin
Production Coordinator:
Richard E. Chapla Jr.
Production Design:
Marc L. Rizzo
Prosthetic Makeup Artist:
Rob Burman
Script Supervisor:
Gabi Endicott
Second Assistant Camera:
Andrew Bikichky
Second Assistant Director:
Robin Sheldon Jorden
Second Second Assistant Director:
Romano Paoletti
Set Decoration:
Nick Ralbovsky
Sound Effects Editor:
Tim Walston
Michael Kamper
Laura Kamper
Elisabeth Flaum
Sound Mixer:
B.J. Lehn
Sound Re-Recording Assistant:
Juan Peralta
Laura Kamper
Sound Re-Recording Mixer:
Ken Teaney
Marshall Garlington
Special Effects Coordinator:
David Waine
Special Effects Makeup Artist:
Rob Burman
Stunt Coordinator:
Kurt Bryant
Supervising Sound Editor:
Andrew DeCristofaro
Supervising Sound Effects Editor:
Ann Scibelli
Unit Production Manager:
Mark B. Lasser
Writer:
Jason Freeland
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.