A work in constant progress (and occasional regress).
Alias:
Petr Hilnomaz
Peter Hlinomaz
Birthplace:
Prague, Czechoslovakia [now Czech Republic]
Petr Hlinomaz is a cinematographer and camera operator for film and television productions.
"B" Camera Operator:
2008 Pride and Glory
Camera Operator:
2008 Pride and Glory
2011 Arthur
2012 Man on a Ledge
2014 The Amazing Spider-Man 2
2015 While We're Young
2016 Manchester by the Sea
2016 Nerve
Chief Lighting Technician:
2001 Riding in Cars with Boys
2008 Pride and Glory
2011 Arthur
2012 Man on a Ledge
2014 The Amazing Spider-Man 2
2015 While We're Young
2016 Manchester by the Sea
2016 Nerve
Director of Photography:
2001 Caught in Time
2001 Riding in Cars with Boys
2008 Pride and Glory
2011 Arthur
2012 Man on a Ledge
2014 The Amazing Spider-Man 2
2015 While We're Young
2016 Manchester by the Sea
2016 Nerve
2017 Letters from Baghdad
Electrician:
1989 Cookie
1993 A Bronx Tale
1996 Bed of Roses
2001 Caught in Time
2001 Riding in Cars with Boys
2008 Pride and Glory
2011 Arthur
2012 Man on a Ledge
2014 The Amazing Spider-Man 2
2015 While We're Young
2016 Manchester by the Sea
2016 Nerve
2017 Letters from Baghdad
Gaffer:
1989 Cookie
1993 A Bronx Tale
1996 Bed of Roses
2001 Caught in Time
2001 Riding in Cars with Boys
2006 16 Blocks
2006 United 93
2008 Pride and Glory
2011 Arthur
2012 Man on a Ledge
2014 The Amazing Spider-Man 2
2015 While We're Young
2016 Manchester by the Sea
2016 Nerve
2017 Letters from Baghdad
Camera Operator:
2017 The Good Fight
Director of Photography:
2017 The Good Fight
2019 Evil
2023 Harlan Coben's Shelter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.