A work in constant progress (and occasional regress).
Release Date:
April 28, 2006
Original Title:
United 93
Alternate Titles:
93-iasis reisas
93航班
Let 93
United 93 (Flight 93)
United 93 (Vuelo 93)
United vol 93
Zborul United 93
Юнайтед 93
ユナイテッド93:2006
Genres:
Action | Crime | Drama | History | Thriller
Production Companies:
Sidney Kimmel Entertainment
StudioCanal
Working Title Films
Production Countries:
France | United Kingdom | United States of America
Ratings / Certifications:
CH: 16 CZ: 15+ DE: 12 DK: 15 FI: K-16 FR: U GB: 15 GR: 15 HU: 18 IE: 15 KR: 15 NO: 15 PL: 18 PT: M/12 SE: 15 US: R
Runtime: 111
A real-time account of the events on United Flight 93, one of the planes hijacked on 9/11 that crashed near Shanksville, Pennsylvania when passengers foiled the terrorist plot.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
3D Supervisor:
Rick Leary
Stuart Farley
ADR Editor:
Simon Chase
ADR Mixer:
Mark DeSimone
Peter Gleaves
ADR Recordist:
James Bennett
Rachael Tate
ADR Supervisor:
Paul Conway
ADR Voice Casting:
Vanessa Baker
Additional Camera:
Lee Vickery
Additional Sound Re-Recording Mixer:
Chris Burdon
Aerial Camera Technician:
Peter Graf
Art Department Assistant:
James Collins
Art Department Coordinator:
Sally Ross
Art Direction:
Romek Delmata
Joanna Foley
Assistant Accountant:
Jason Potter
Assistant Art Director:
Rachid Quiat
Assistant Camera:
Dan Shoring
Assistant Costume Designer:
Richard Sale
Assistant Editor:
Alex Fenn
Assistant Location Manager:
Paul Langford
Assistant Production Coordinator:
Andrea Pappas
Assistant Sound Editor:
David Mackie
Associate Editor:
Christopher Robin Bell
Associate Producer:
Michael Bronner
Kate Solomon
Best Boy Electric:
Jon Delgado
Best Boy Grip:
Patrick Shelby
Boom Operator:
Gary Dodkin
Camera Operator:
Klemens Becker
Camera Trainee:
Chris McAleese
Carpenter:
Leigh Chesters
Casting:
Dan Hubbard
John Hubbard
Cathy Sandrich Gelfond
Sig De Miguel
Amanda Mackey
Casting Associate:
Kelly Valentine Hendry
Construction Coordinator:
Malcolm Roberts
Costume Assistant:
Sue Casey
Costume Design:
Dinah Collin
Costume Supervisor:
Marion Weise
Dialogue Editor:
Tony Currie
Digital Compositor:
Kris Anderson
Digital Effects Producer:
Diane Kingston
Digital Effects Supervisor:
John Lockwood
Director:
Paul Greengrass
Director of Photography:
Barry Ackroyd
Dolby Consultant:
Richard Stockdale
Dolly Grip:
Brad Goss
Draughtsman:
Jordan Crockett
Editor:
Christopher Rouse
Clare Douglas
Richard Pearson
Electrician:
Warren Ewen
Executive Producer:
Liza Chasin
Debra Hayward
Bruce Toll
Extras Casting:
Karen E. Etcoff
Extras Casting Assistant:
Chuck Douglas
First Assistant Accountant:
Katherine DeJesus
First Assistant Camera:
Craig Grossmueller
Carl Hudson
Birgit Dierken
First Assistant Director:
Chris Carreras
First Assistant Editor:
Ian Differ
Floor Runner:
Adam Byles
Focus Puller:
Ben Battersby
Foley Editor:
Alex Joseph
Foley Mixer:
Mark Hackett
Foley Supervisor:
Harry Barnes
Gaffer:
Matthew Moffat
Petr Hlinomaz
Graphic Designer:
Kevin L. Raper
Grip:
Andy Edridge
Hair Designer:
Kirstin Chalmers
Hairstylist:
Peta Dunstall
Kristie Matthiae
Key Grip:
John Dolan
Key Hairdresser:
Francesca Crowder
Libra Head Technician:
Tim Dean
Line Producer:
Mairi Bett
Loader:
Mark Dempsey
Location Assistant:
Faical Hajji
Location Manager:
Khalid Banoujaafar
Location Production Assistant:
Josh Kesner
Makeup Artist:
Renata Gilbert
Eva Polywka
Peta Dunstall
Makeup Designer:
Kirstin Chalmers
Matte Painter:
Gurel Mehmet
Music Coordinator:
Alexandra Hill
Music Editor:
Michael Higham
Music Supervisor:
Nick Angel
Musician:
Roger Argente
Negative Cutter:
Mark Wright
Orchestrator:
John A. Coleman
Original Music Composer:
John Powell
Payroll Accountant:
Patricia Porter
Pilot:
Tom McMurtry
Post Production Coordinator:
Jolyon Haverson
Post Production Supervisor:
Miguel Ángel Poveda
Producer:
Lloyd Levin
Eric Fellner
Paul Greengrass
Tim Bevan
Production Accountant:
Anslem King
Production Assistant:
Mike Clark-Hall
Production Coordinator:
Samantha Knox-Johnston
Production Design:
Dominic Watkins
Production Executive:
Evan Hayes
Production Intern:
Becky Page
Production Manager:
Sasha Harris
Production Runner:
James Chesterton
Production Secretary:
Scott Sullens
Props:
Peter Lee
Rigging Gaffer:
Pat Miller
Rotoscoping Artist:
Martin Body
Scoring Mixer:
Simon Rhodes
Screenplay:
Paul Greengrass
Script Supervisor:
Elizabeth West
Polly Hope
Second Assistant Camera:
Sara Deane
Second Assistant Director:
Kiersten Pilar Miller
Second Second Assistant Director:
Matt Power
Second Unit:
Chris Forster
Second Unit Cinematographer:
Sean Bobbitt
Mike Eley
Set Decoration:
Michael Standish
Set Production Assistant:
Borjan Jovanovich
Sound Editor:
Martin Cantwell
Sound Re-Recording Mixer:
Doug Cooper
Mike Prestwood Smith
Sound mixer:
Chris Munro
Special Effects Coordinator:
Michael Dawson
Special Effects Technician:
Keith Dawson
Standby Carpenter:
Garry Moore
Standby Rigger:
David Gray
Still Photographer:
Jonathan Olley
Stunt Coordinator:
Greg Powell
Stunt Double:
Rick English
Stunts:
Nick Chopping
Rowley Irlam
Supervising Art Director:
Alan Gilmore
Supervising Sound Editor:
Eddy Joseph
Harry Barnes
Systems Administrators & Support:
Steve Lynn
Thanks:
Rick Law
Third Assistant Director:
Tom Brewster
Title Designer:
Toby Glover
Transportation Captain:
Barrie Williams
Unit Production Manager:
Bryan Thomas
Vehicles Coordinator:
Milton Holman
Video Assist Operator:
Christopher Murphy
Visual Effects Editor:
Jo Dixon
Simon Allmark
Visual Effects Producer:
Alex Hope
Matthew Plummer
Clare Tinsley
Visual Effects Supervisor:
Peter Chiang
Wardrobe Assistant:
Kathy Karbowski
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.