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Enrique Chediak (b. 1967)

Birthplace:
Quito, Ecuador

Born:
June 7, 1967

Biography from TheMovieDB

Enrique Chediak (born June 30, 1967) is an Ecuadorian cinematographer. Chediak was born in Quito, Ecuador. He studied communication science in Santiago de Chile and photography in Madrid before studying film at New York University from 1992 to 1996. He participated in the production of American Southern—released in 1995 and directed by John Joshua Clayton—as a Cameraman. Another film he worked on in 2010, the drama 127 Hours, was based on a true story. Chediak collaborated with the British cinematographer Anthony Dod Mantle and was subsequently nominated for several awards, including the 2011 British Academy Film Award for the Best Cinematography

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Additional information:

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Film Production

Camera Operator:
2003  Undefeated

Director:
1998  El Río
2003  Undefeated

Director of Photography:
1997  Hurricane Streets
1998  El Río
1998  Frogs for Snakes
1998  The Faculty
1999  Desert Blue
2000  Boiler Room
2001  3 A.M.
2001  Songcatcher
2002  Brown Sugar
2002  The Good Girl
2002  The Safety of Objects
2003  Undefeated
2004  A Home at the End of the World
2004  Crónicas
2005  Down in the Valley
2006  The Alibi
2006  Turistas
2007  28 Weeks Later
2007  The Flock
2009  Rage
2009  The Assailant
2010  127 Hours
2010  Charlie St. Cloud
2010  Repo Men
2011  Intruders
2013  Europa Report
2013  RED 2
2014  Cesar Chavez
2014  The Maze Runner
2016  Deepwater Horizon
2016  The 5th Wave
2017  American Assassin
2017  Buena Vista Social Club: Adios
2018  Bumblebee
2019  Lady and the Tramp
2021  Voyagers
2023  Transformers: Rise of the Beasts

Producer:
1997  Hurricane Streets
1998  El Río
1998  Frogs for Snakes
1998  The Faculty
1999  Desert Blue
2000  Boiler Room
2001  3 A.M.
2001  Songcatcher
2002  Brown Sugar
2002  The Good Girl
2002  The Safety of Objects
2003  Undefeated
2004  A Home at the End of the World
2004  Crónicas
2005  Down in the Valley
2006  The Alibi
2006  Turistas
2007  28 Weeks Later
2007  The Flock
2009  Rage
2009  The Assailant
2010  127 Hours
2010  Charlie St. Cloud
2010  Repo Men
2011  Intruders
2013  Europa Report
2013  RED 2
2014  Cesar Chavez
2014  The Maze Runner
2016  Deepwater Horizon
2016  The 5th Wave
2017  American Assassin
2017  Buena Vista Social Club: Adios
2018  Bumblebee
2019  Lady and the Tramp
2021  Voyagers
2023  Transformers: Rise of the Beasts

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.