3 A.M. (2001) [NR]

Release Date:
July 1, 2001

Original Title:
3 A.M.

Genres:
Crime | Drama

Production Companies:
40 Acres and a Mule Filmworks

Production Countries:
United States of America

Ratings / Certifications:
NL: 16  US: NR 

Runtime: 88

Driving the night shift can be deadly.

The feature film directing debut of Spike Lee protege Lee Davis takes the viewer into the world of taxi drivers. Developed in the Sundance Laboratory, this film offers dove-tailing stories centering on the lives of individual taxi drivers as they reflect on and experience romance, politics, sociology, and spirituality.

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Additional Camera:
John Bentham

Art Department Assistant:
Courtney Engelstein

Art Direction:
Doug Ellis

Assistant Editor:
Perri Pivovar

Best Boy Electric:
Brooke Stanford

Camera Operator:
David Knox

Casting:
Lina Todd

Casting Associate:
Nicole Wohl

Co-Executive Producer:
Sam Kitt
Paul Kurta
Spike Lee

Co-Producer:
Callum Greene
Anthony Katagas

Color Timer:
Alfredo Frasson

Costume Design:
Luca Mosca

Dialogue Editor:
Kimberly R. McCord-Wilson

Director:
Lee Davis

Director of Photography:
Enrique Chediak

Editor:
Susan E. Morse

Electrician:
James J. Ferris

Executive Producer:
Danny Glover

First Assistant Director:
Sarah Gyllenstierna

Foley Editor:
Dave Flynch

Grip:
Gary Martone
Tally Morse

Key Hair Stylist:
Mary Cooke

Location Manager:
Jonathan Shepard

Makeup Artist:
Diane Hammond

Music Editor:
James Flatto

Original Music Composer:
Branford Marsalis

Post Production Supervisor:
Jamey Pryde
Paul Leonardo Jr.

Producer:
Sam Kitt
Spike Lee

Production Design:
Ted Glass

Production Manager:
Anthony Katagas

Production Sound Mixer:
Todd Milner

Property Master:
Peter Gelfman

Scenic Artist:
Ann Marie Auricchio

Script Supervisor:
Michael Taylor

Second Assistant Director:
Rafael Osorio

Set Decoration:
Andrew Baseman

Sound Effects Editor:
Glenfield Payne

Special Effects:
Andrew Mortelliti

Stunts:
John Patrick McLaughlin
Lisa France

Transportation Co-Captain:
Mike Easter

Visual Effects Supervisor:
Steven Meyer

Writer:
Lee Davis

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.