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Repo Men (2010) [R]

Release Date:
March 18, 2010

Original Title:
Repo Men

Alternate Titles:
Los Recolectores
Los recuperadores
O Resgate de Órgãos
Os Coletores
Repo Men (Unrated Version)
Repo Men - Windykatorzy
Repo Men: O Resgate de Órgãos
Repo Men: Os Cobradores
Repossession Mambo
Repreneurs
Skerdikai
Vymahači
Потрошители
索命條碼
追讨人

Genres:
Action | Crime | Science Fiction | Thriller

Production Companies:
Relativity Media
Stuber Pictures
Universal Pictures
dentsu

Production Countries:
Canada | United States of America

Ratings / Certifications:
AU: R 18+  BR: 16  CA: 18A  DE: 16  ES: 18  FR: 12|16  GB: 18  GR: 15  HU: 18  IE: 18  IT: VM14  JP: R18+  NL: 16  PT: M/16  RU: 18+  US: R 

Runtime: 111

For a price, any organ in your body can be replaced. But it can also be repossessed.

Overview from TheMovieDB

In the future, medical technology has advanced to the point where people can buy artificial organs to extend their lives. But if they default on payments, an organization known as the Union sends agents to repossess the organs. Remy is one of the best agents in the business, but when he becomes the recipient of an artificial heart, he finds himself in the same dire straits as his many victims.

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Trailer

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Performers

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Production

ADR Mixer:
Paul Drenning
Jeff Gomillion
Nick Kray

ADR Recordist:
Philip Rogers

Additional Editor:
Robert Mead

Animal Wrangler:
Rick Parker

Animation:
Chris De Souza
Saxena Abhishek
Clement Yip
Gavin Soares

Art Direction:
Dan Yarhi

Assistant Art Director:
Sorin Popescu
Corinna Schmitt-Porsia

Assistant Camera:
Dean Morin

Assistant Costume Designer:
Trysha Bakker

Assistant Editor:
Clare Bambrough
Toby Francis-Bruce
Jennifer Spenelli
Dawn M. Stoliar
Michael Struk

Assistant Hairstylist:
Carol Hartwick
Cathy Shibley

Assistant Production Coordinator:
Sandra Lynne Hyhkö
Julie Ann Grasso

Assistant Property Master:
Michael Huschka

Assistant Sound Editor:
E. Niles Klein
Justin Pearson
Jeffrey Dyal

Best Boy Electric:
Doug Reid

Best Boy Grip:
Jim Holmes

Boom Operator:
Jacob Kemp
Steve Switzer

CG Supervisor:
Craig Calvert

Camera Trainee:
Alan G. Kelly

Carpenter:
Brian Cranstone

Casting:
Mindy Marin
Deirdre Bowen

Casting Assistant:
Christopher Richards

Casting Associate:
Kara Lipson

Colorist:
Yvan Lucas

Compositor:
Ioan Balcosi
Zac Campbell
Ovidiu Cinazan
Kevin Quatman
Gwen Zhang

Concept Artist:
Rob McCallum
Ray Lai
Ken McCuen

Construction Coordinator:
Bill Harman

Costume Design:
Caroline Harris

Costume Supervisor:
Katherine Burchill
Richard Krough

Dialect Coach:
Jerome Butler

Dialogue Editor:
Barbara Delpuech
Jeena M. Phelps
Joel Shryack
Barbara Noren

Director:
Miguel Sapochnik

Director of Photography:
Enrique Chediak

Editor:
Richard Francis-Bruce

Epk Producer:
Joe Russo

Executive Producer:
Andrew Z. Davis
Mike Drake
Jon Mone

Extras Casting:
Zameret Kleiman

Fight Choreographer:
Hiro Koda

First Assistant Accountant:
Virginia Alves

First Assistant Camera:
Brad Crosbie
Christopher Raucamp

First Assistant Director:
Richard Cowan

First Assistant Sound Editor:
Barbara Noren
Ann Ducommun

Foley Artist:
Steve Baine
Stefan Fraticelli
John Sievert
Virginia Storey
Marilee Yorston

Foley Mixer:
Steve Copley
Randy Wilson

Gaffer:
Robert McRae

Generator Operator:
Kevin Craine

Graphic Designer:
Shawn Thomas

Greensman:
Peter Müller

Grip:
John Adamson
Ron Schroeder
Michael Milella

Hair Department Head:
Judi Cooper-Sealy

Hair Designer:
Judi Cooper-Sealy

Key Grip:
Christopher Dean

Key Hair Stylist:
Gunnar Swanson

Key Rigging Grip:
Walter Lipscombe

Lighting Technician:
Rocky Brown

Makeup Artist:
Marlene Aarons

Makeup Department Head:
Donald Mowat

Matte Painter:
Mathew Borrett
Ravindra Tamhankar
Matt Schofield

Mix Technician:
Robert Carr

Music:
Marco Beltrami

Negative Cutter:
Mary Beth Smith

Novel:
Eric Garcia

Payroll Accountant:
Ryan Heimpel

Pilot:
Dave Tommasini

Post Production Accountant:
Cynthia Phillips

Producer:
Scott Stuber
Mary Parent

Production Accountant:
Karen de Montbrun

Production Assistant:
Ben Hong
Ken Stanbury
Reynaldo Rodriguez

Production Coordinator:
Karen Doble
Lisa L. Martin

Production Design:
David Sandefur

Production Secretary:
Aaron Horton

Property Master:
Ron Hewitt

Rigging Grip:
Raphael Boettger
Carson T. Foster
Malcolm Nefsky

Screenplay:
Garrett Lerner

Script Supervisor:
Kathryn Buck

Second Assistant Accountant:
Erik Sudmals
Devin White

Second Assistant Art Director:
Jody Lynn Clement

Second Assistant Camera:
Tim Kneeshaw

Second Unit Director of Photography:
JP Locherer

Set Costumer:
Gerri Gillan

Set Decoration:
Clive Thomasson

Set Decoration Buyer:
Jaclyn Shoub

Set Dresser:
J.P. Dame
Mark Steel

Sound Designer:
Yann Delpuech

Sound Effects Designer:
Bernard Weiser

Sound Mixer:
Glen Gauthier

Sound Re-Recording Mixer:
Christian P. Minkler
Jon Taylor

Special Effects Coordinator:
Warren Appleby

Special Effects Technician:
Philippe Maurais
Cameron Patterson
David Reaume
Brodie Spaull

Steadicam Operator:
Tim Merkel

Still Photographer:
Kerry Hayes

Storyboard Artist:
Michael Anthony Jackson
Vince Peets

Stunt Coordinator:
Hiro Koda
Ken Quinn

Stunts:
Alison Reid
Alicia Turner

Supervising ADR Editor:
Joel Shryack

Supervising Sound Editor:
Yann Delpuech
Darren King

Title Designer:
Stephan Burle

Unit Publicist:
Lisa Shamata

Utility Stunts:
Robert Racki

Visual Effects Coordinator:
Adnan Ahmed
Sarah Barber

Visual Effects Editor:
Branden Bratuhin
Jim Schermerhorn

Visual Effects Producer:
Sarah McMurdo

Visual Effects Production Assistant:
Laura Dittmann
Tommy Gervais
Matt Glover
Rob Phillips
Safia Siad

Visual Effects Production Manager:
Roopesh Gujar

Visual Effects Supervisor:
Aaron Weintraub

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.