A work in constant progress (and occasional regress).
Color Timer:
2019 Pimped
Colorist:
2000 The Goddess of 1967
2019 Pimped
2022 No Exit
Digital Colorist:
2000 The Goddess of 1967
2002 Tanaka
2006 DOA: Dead or Alive
2009 Storage
2019 Pimped
2022 No Exit
Digital Intermediate:
2000 The Goddess of 1967
2002 Tanaka
2006 DOA: Dead or Alive
2009 Storage
2016 Game of Aces
2016 Science Fiction Volume One: The Osiris Child
2017 Jungle
2018 7 Guardians of the Tomb
2019 Pimped
2022 No Exit
Digital Intermediate Colorist:
2000 The Goddess of 1967
2002 Tanaka
2006 DOA: Dead or Alive
2009 Lake Mungo
2009 Storage
2010 Beneath Hill 60
2010 Daybreakers
2014 Dinosaur Island
2014 Predestination
2016 Game of Aces
2016 Science Fiction Volume One: The Osiris Child
2017 2:22
2017 Jungle
2018 7 Guardians of the Tomb
2018 Upgrade
2019 Pimped
2022 No Exit
Colorist:
2017 Lawless: The Real Bushrangers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.