A work in constant progress (and occasional regress).
Release Date:
January 6, 2010
Original Title:
Daybreakers
Alternate Titles:
2019猎血都市
2019獵血都市
Daybreakers - L'Ultimo Vampiro
Daybreakers - O Último Vampiro
Daybreakers - Świt
Daybreakers 3D
L'Aube des survivants
La hermandad
Vampir İmparatorluğu
Vampiros del Dia
Vampiros del día
デイブレイカー
嗜血破晓
破晓者
血世紀
Genres:
Action | Fantasy | Science Fiction
Production Companies:
Australian Film Finance Corporation
Furst Films
Lionsgate
Pacific Film and Television Commission
Pictures in Paradise
Production Countries:
Australia | United States of America
Ratings / Certifications:
AU: MA 15+ BR: 12 CA: PG CZ: 15 DK: 15 ES: 18 FR: 12 GB: 15 GR: 15 HU: 16 IE: 16 JP: R18+ KR: 12 NL: 16 PL: 18 PT: M/16 RU: 16+ SE: 15 US: R
Runtime: 98
In the year 2019, a plague has transformed almost every human into a vampire. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vampires on a way to save humankind.
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3D Animator:
Peter Spierig
ADR Mixer:
Martin Oswin
ADR Recordist:
Rich Macar
Additional Camera:
Ricky Schamburg
Additional Editor:
Richard Francis-Bruce
Additional First Assistant Camera:
Chris Healy
Additional Hairstylist:
Vivienne Boo Fox
Animation:
Daniel Phillis
Armorer:
Jeff Gribble
Art Department Coordinator:
Tricia McInally
Art Direction:
Bill Booth
Eugene Intas
Assistant Accountant:
Rebecca Howcroft
Assistant Electrician:
Nathan Walton
Darryl Dempsey
Peter Critchley
Assistant Production Coordinator:
Angela Barac
Assistant Set Decoration:
Phoebe McMahon
Assistant Set Dresser:
Simon Gill
Best Boy Electric:
Stephen Head
Camera Operator:
Greg Gilbert
Carpenter:
Innes Stenhouse
Rick Jarvis
Luke Hughes
Casting:
Nikki Barrett
Ben Parkinson
Colorist:
Justin McDonald
Compositor:
Mick Harkin
Naomi Anderlini
Tahl Niran
David Edwards
Daniel Loui
Randy Vellacott
Conceptual Design:
Phil Shearer
Construction Foreman:
Noel McCartney
Construction Manager:
Andrew Gardiner
Contact Lens Painter:
Cristina Patterson
Costume Design:
George Liddle
Creature Design:
Steven Boyle
Dialect Coach:
Troy MacKinder
Dialogue Coach:
Troy MacKinder
Dialogue Editor:
Libby Villa
Jenny T. Ward
Derryn Pasquill
Digital Compositor:
Alicia Aguilera
Loren Robinson
Demis Lyall-Wilson
Digital Intermediate:
John Lee
Justin Tran
Digital Intermediate Colorist:
Adrian Hauser
Director:
Michael Spierig
Peter Spierig
Director of Photography:
Ben Nott
Dolby Consultant:
Bruce Emery
Dolly Grip:
Michael Rich
Trent Williamson
Editor:
Matt Villa
Executive Producer:
Jason Constantine
Peter Block
Extras Casting:
Ben Parkinson
Bud Hopes
First Assistant Accountant:
Rita Siomos
First Assistant Camera:
Luke Nixon
First Assistant Director:
Jamie Leslie
Focus Puller:
Daniel Clark
Foley Artist:
John Simpson
Foley Recordist:
Jason Hancock
Gaffer:
Mick O'Brien
Graphic Designer:
George Kabot
Johann Kwiatkowski
Greensman:
Adam Mawby
Grip:
Damien King
Michael Carl Smith
Marcus Ballantine
Ivan Valjan
Billy Harmer
Hair Department Head:
Kym Sainsbury
Key Grip:
Grant Nielsen
Lead Animator:
D.J. Nicke
Lighting Technician:
Tim Buckland
Mark Bills
Scott Hamilton
Line Producer:
Stuart Wood
Location Manager:
Tony Clarke
Makeup & Hair:
Tess Natoli
Troy Follington
Carla Vicenzino
Simon Joseph
Makeup Artist:
Samantha Lyttle
Darin Rose
Makeup Department Head:
Kym Sainsbury
Makeup Effects:
Richard Taylor
Samantha Lyttle
Frances Richardson
Steven Boyle
Makeup Effects Designer:
Steven Boyle
Matte Painter:
Jonathan Taranto
Online Editor:
Heather Galvin
Original Music Composer:
Christopher Gordon
Painter:
Ben Fraser
Producer:
Todd Fellman
Bryan Furst
Sean Furst
Chris Brown
Production Accountant:
Sophie Siomos
Production Coordinator:
Sheila Lind
Production Design:
George Liddle
Production Manager:
Basia Plachecki
Production Secretary:
Alex Fewster
Project Manager:
Stuart Monksfield
Property Master:
Lenny Holmdahl
Propmaker:
Gary Cameron
Props:
Daniel Cairns
Prosthetics:
Toby Barron
Vince Holland
Adam Head
Antony McMullen
Prosthetics Sculptor:
Bill Hunt
Jamie Beswarick
Gary Hunt
Don Brooker
Rigging Gaffer:
Jason Waide
Rotoscoping Artist:
Blake Muir
Max Robinson
Andrew Smith
Screenplay:
Peter Spierig
Michael Spierig
Script Supervisor:
Jackie Sullivan
Second Assistant "A" Camera:
Steven Magrath
Second Assistant "B" Camera:
Matthew Floyd
Second Assistant Camera:
Tristan Davies
Second Assistant Director:
Rachael O'Brien
Nick McKinnon
Second Unit Director:
Ian 'Thistle' Thorburn
Second Unit Director of Photography:
Ian 'Thistle' Thorburn
Second Unit First Assistant Director:
Brett Popplewell
Senior Visual Effects Supervisor:
James Rogers
Set Buyer:
Jodie Whetter
Set Decoration:
Matthew Putland
Set Designer:
Paula Whiteway
Jacinta Leong
Klaus Kastberg
Set Dresser:
Gillian Butler
Jodie Whetter
Sound Assistant:
Dan McMahon
Sound Designer:
Wayne Pashley
Damian Candusso
Nick Breslin
Sound Re-Recording Mixer:
Phil Heywood
Sound Recordist:
Craig Walmsley
Special Effects Key Makeup Artist:
Samantha Lyttle
Special Effects Supervisor:
Clint Ingram
Special Effects Technician:
Phill Rylance
Jeremy Piggott
Andrew Goodall
Murray Philip
Greg Tuckwell
Steve Rungwerth
Standby Carpenter:
Wayne Diskin
Standby Painter:
Carlin Bull
Steadicam Operator:
Jason Ewart
Still Photographer:
Steve Unwin
Ben Rothstein
Storyboard Artist:
Graeme Callander
Stunt Coordinator:
Chris Anderson
Supervising Dialogue Editor:
Sonal Joshi
Supervising Sound Editor:
Wayne Pashley
Systems Administrators & Support:
Daniel Mons
Third Assistant Director:
Sarah Jane Walsh
Title Designer:
Naomi Anderlini
Video Assist Operator:
Polly Pierce
Visual Effects Coordinator:
Kirsty Martin
Visual Effects Editor:
Matthew Ozerski
Visual Effects Producer:
Chad Malbon
Visual Effects Supervisor:
Rangi Sutton
Wardrobe Assistant:
Stephanie Amantea
Wardrobe Coordinator:
Martin Heusel
Wig Designer:
Karen Kelly
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.