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No Exit (2022) [R]

Release Date:
February 24, 2022

Original Title:
No Exit

Alternate Titles:
En la Tormenta
暂无出口
노 엑시트

Genres:
Horror | Mystery | Thriller

Production Companies:
20th Century Studios
Flitcraft

Production Countries:
United States of America

Ratings / Certifications:
AR: +16  AU: MA 15+  BR: 16  CA: R  CH: 18  CZ: 18+  DE: 18  ES: 18  FI: K-18  FR: 18  GB: 18  GR: K18  HU: 18  IE: 18  IT: 18+  JP: R15+  KR: 19  LT: N-18  LU: 18  LV: 18+  MX: B-15  NL: 16  NO: 18  NZ: R18  PL: 18  PT: M/18  RO: 18  SG: M18  SK: 18  TR: 18+  TW: 15+  US: R 

Runtime: 96

Who will survive the dead of winter?

Overview from TheMovieDB

Stranded at a rest stop in the mountains during a blizzard, a recovering addict discovers a kidnapped child hidden in a car belonging to one of the people inside the building which sets her on a terrifying struggle to identify who among them is the kidnapper.

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Additional information:

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Performers

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Production

ADR Editor:
James Andrews

ADR Voice Casting:
Johnny Gidcomb

Art Department Coordinator:
Liz Thompson-Nevitt

Art Direction:
Helen Strevens
Simon Barker

Assistant Accountant:
Annie Baines

Assistant Art Director:
Nick Nocera

Assistant Editor:
Vanessa Bray
Veronica Buhagiar

Assistant Production Coordinator:
Winchey Zheng

Assistant Property Master:
Luke Fisher

Assistant Set Decoration:
Holly MacPherson

Assistant Sound Editor:
Jessica Meier

Best Boy Grip:
Stacey Hui

Casting:
Stu Turner
Rich Delia

Casting Assistant:
Karla Spika
Erin Rose Kelly

Casting Associate:
Joe Fisher
Mark Droter

Colorist:
Adrian Hauser

Conductor:
Christopher Gordon

Construction Coordinator:
Lizzie Lam

Construction Manager:
James Fenton
Fraser Harvey

Costume Assistant:
Holly Meyers

Costume Design:
Liz McGregor

Costume Supervisor:
Alice Baker

Dialogue Editor:
James Andrews

Director:
Damien Power

Director of Photography:
Simon Raby

Editor:
Andy Canny

First Assistant Director:
Seumas Cooney

First Assistant Editor:
Wayne C. Blair
Margi Hoy

Foley Artist:
Adrian Medhurst

Foley Editor:
Duncan Campbell

Foley Mixer:
Olivia Aquilina

Generator Operator:
Jason Tidswell

Hair Designer:
Gabrielle Jones

Key Grip:
Evan Pardington

Key Hair Stylist:
Ricci-Lee Berry

Key Makeup Artist:
Ricci-Lee Berry

Lead Set Dresser:
Jo Larkin

Line Producer:
Annie Weston

Location Manager:
Phil Aitken

Makeup & Hair:
Jose Noriega
Tony Thorn
Niki Adlington

Makeup Designer:
Gabrielle Jones

Music Editor:
Tim Ryan
Jim Schultz

Novel:
Taylor Adams

Orchestrator:
Mark Graham

Original Music Composer:
Miles Hankins
Marco Beltrami

Post Production Accountant:
Jill Hewitt

Post Production Supervisor:
Kate James

Producer:
Scott Frank

Production Accountant:
Sherie Wikaira

Production Coordinator:
Yvette Harvie-Salter

Production Design:
Gary Mackay

Production Secretary:
Sarah Hurdley

Production Sound Mixer:
Fred Enholmer

Property Master:
Nick Komornicki

Prosthetic Designer:
Gabrielle Jones

Rigging Gaffer:
Stephen Renwick

Screenplay:
Andrew Barrer
Gabriel Ferrari

Script Supervisor:
Kathleen Thomas

Second Assistant Director:
Guy Campbell

Second Second Assistant Director:
Esther Collas

Set Decoration:
Anneke Botha

Set Designer:
Melanie Kassian
Tim Clissold

Set Dresser:
Ella Mildren-Sheath

Sound Designer:
Mick Boraso

Sound Effects Editor:
Justin Spasevski

Sound Re-Recording Mixer:
Robert Mackenzie

Still Photographer:
Kirsty Griffin

Stunt Coordinator:
Jonathan Costelloe

Supervising Sound Editor:
Robert Mackenzie

Tailor:
Holly Wright

Unit Production Manager:
Monique Tourelle

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.