Luciana Arrighi

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Costume Design:
1982  Starstruck
1983  Il trovatore
1983  The Ploughman's Lunch

Costume Designer:
1982  Starstruck
1983  Il trovatore
1983  Privates on Parade
1983  The Ploughman's Lunch

Production Design:
1965  Always on Sunday
1971  Sunday Bloody Sunday
1978  The Night, the Prowler
1979  My Brilliant Career
1982  Starstruck
1983  Il trovatore
1983  Privates on Parade
1983  The Ploughman's Lunch
1983  The Return of the Soldier
1984  Mrs. Soffel
1988  Madame Sousatzka
1989  The Rainbow
1991  Close My Eyes
1992  Howards End
1993  The Innocent
1993  The Remains of the Day
1994  Only You
1995  Sense and Sensibility
1996  Surviving Picasso
1996  Victory
1997  Oscar and Lucinda
1999  Anna and the King
1999  Jakob the Liar
2002  Possession
2002  The Gathering Storm
2002  The Importance of Being Earnest
2004  Being Julia
2006  Fade to Black
2008  My Zinc Bed
2010  From Time to Time
2015  The Lovers
2016  The Man Who Knew Infinity
2017  Angelica
2017  Interlude In Prague
2018  The Catcher Was a Spy
2020  Come Away
2021  Falling for Figaro
2022  Mrs. Harris Goes to Paris
2023  Freud's Last Session
2024  Can You Hear Me?

Sequence Artist:
1965  Always on Sunday
1971  Sunday Bloody Sunday
1978  The Night, the Prowler
1978  Watership Down
1979  My Brilliant Career
1982  Starstruck
1983  Il trovatore
1983  Privates on Parade
1983  The Ploughman's Lunch
1983  The Return of the Soldier
1984  Mrs. Soffel
1988  Madame Sousatzka
1989  The Rainbow
1991  Close My Eyes
1992  Howards End
1993  The Innocent
1993  The Remains of the Day
1994  Only You
1995  Sense and Sensibility
1996  Surviving Picasso
1996  Victory
1997  Oscar and Lucinda
1999  Anna and the King
1999  Jakob the Liar
2002  Possession
2002  The Gathering Storm
2002  The Importance of Being Earnest
2004  Being Julia
2006  Fade to Black
2008  My Zinc Bed
2010  From Time to Time
2015  The Lovers
2016  The Man Who Knew Infinity
2017  Angelica
2017  Interlude In Prague
2018  The Catcher Was a Spy
2020  Come Away
2021  Falling for Figaro
2022  Mrs. Harris Goes to Paris
2023  Freud's Last Session
2024  Can You Hear Me?

Set Designer:
1965  Always on Sunday
1969  Women in Love
1971  Sunday Bloody Sunday
1978  The Night, the Prowler
1978  Watership Down
1979  My Brilliant Career
1982  Starstruck
1983  Il trovatore
1983  Privates on Parade
1983  The Ploughman's Lunch
1983  The Return of the Soldier
1984  Mrs. Soffel
1988  Madame Sousatzka
1989  The Rainbow
1991  Close My Eyes
1992  Howards End
1993  The Innocent
1993  The Remains of the Day
1994  Only You
1995  Sense and Sensibility
1996  Surviving Picasso
1996  Victory
1997  Oscar and Lucinda
1999  Anna and the King
1999  Jakob the Liar
2002  Possession
2002  The Gathering Storm
2002  The Importance of Being Earnest
2004  Being Julia
2006  Fade to Black
2008  My Zinc Bed
2010  From Time to Time
2015  The Lovers
2016  The Man Who Knew Infinity
2017  Angelica
2017  Interlude In Prague
2018  The Catcher Was a Spy
2020  Come Away
2021  Falling for Figaro
2022  Mrs. Harris Goes to Paris
2023  Freud's Last Session
2024  Can You Hear Me?

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.