A work in constant progress (and occasional regress).
Release Date:
November 5, 1993
Original Title:
The Remains of the Day
Alternate Titles:
Dienos pedsakais
Elu kuldsed hetked
Hi no nagori
Lo que queda del día
Na kraju dana
Okruchy Dnia
Ostaci dana
Ostanki dneva
Quel che resta del giorno
Ramasitele zilei
Resten av dagen
Shearit Ha-Yom
T' apomeinaria mias meras
Vestígios do Dia
Τ' απομεινάρια μιας μέρας
Наприкінці дня
Остатъкът от деня
长日将尽
남아있는 나날
Genres:
Drama | Romance
Production Companies:
Columbia Pictures
John Calley Productions
Merchant Ivory Productions
Mike Nichols Productions
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
BR: 10 CZ: U DE: 6 ES: APTA FR: U|10 GB: U IE: G KR: 12 NL: AL PT: M/12 SE: Btl US: PG
Runtime: 134
A rule-bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.
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Art Direction:
John Ralph
Assistant Director:
Christopher Newman
Bernard Bellew
Simon Moseley
Associate Producer:
Donald Rosenfeld
Camera Operator:
Roger Pearce
Martin Body
Casting:
Celestia Fox
Choreographer:
Elizabeth Aldrich
Costume Design:
Jenny Beavan
John Bright
Dialogue Editor:
Derek Holding
Director:
James Ivory
Director of Photography:
Tony Pierce-Roberts
Driver:
Brian Baverstock
Editor:
Andrew Marcus
Executive Producer:
Paul Bradley
Gaffer:
Tommy Finch
Hair Department Head:
Carol Hemming
Hairstylist:
Paolo Mantini
Location Manager:
Christian McWilliams
Makeup Artist:
Norma Webb
Makeup Department Head:
Christine Beveridge
Music:
Geoff Alexander
Music Director:
Harry Rabinowitz
Novel:
Kazuo Ishiguro
Original Music Composer:
Richard Robbins
Producer:
Ismail Merchant
Mike Nichols
John Calley
Production Design:
Luciana Arrighi
Production Supervisor:
Joyce Herlihy
Property Master:
Arthur Wicks
Screenplay:
Ruth Prawer Jhabvala
Script Supervisor:
Diana Dill
Set Decoration:
Ian Whittaker
Sound Re-Recording Mixer:
Robin O'Donoghue
Special Effects Supervisor:
Garth Inns
Telecine Colorist:
John Dowdell
Visual Effects:
Martin Body
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.