A work in constant progress (and occasional regress).
Release Date:
August 16, 2002
Original Title:
Possession
Alternate Titles:
Одержимость
Genres:
Drama | Mystery | Romance
Production Companies:
Baltimore / Spring Creek Pictures
Contagious Films
Focus Features
Warner Bros. Pictures
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
CH: 12 DE: 12 GB: PG IE: 12 NL: 16 US: PG-13
Runtime: 102
Maud Bailey, a brilliant English academic, is researching the life and work of poet Christabel La Motte. Roland Michell is an American scholar in London to study Randolph Henry Ash, now best-known for a collection of poems dedicated to his wife. When Maud and Roland discover a cache of love letters that appear to be from Ash to La Motte, they follow a trail of clues across England, echoing the journey of the couple over a century earlier.
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ADR Editor:
Daniel Laurie
ADR Mixer:
Sandy Buchanan
Peter Gleaves
Art Direction:
Andrew Sanders
Paul Ghirardani
Sue Whitaker
Boom Operator:
John Casali
Co-Producer:
Stephen Pevner
Costume Design:
Jenny Beavan
Dialogue Editor:
Daniel Laurie
Director:
Neil LaBute
Director of Photography:
Jean-Yves Escoffier
Editor:
Claire Simpson
Electrician:
Jim Smart
Executive Producer:
David Barron
Len Amato
Foley Artist:
Peter Burgis
Hairdresser:
Kay Georgiou
Hairstylist:
Jan Archibald
Silvia Muñoz Romero
Loulia Sheppard
Astrid Schikorra
Line Producer:
Guy Tannahill
Makeup Artist:
Kate Holloway
Sallie Jaye
Christine Whitney
Belinda Parish
Rebecca Lafford
Music:
Gabriel Yared
Novel:
A.S. Byatt
Producer:
Barry Levinson
Paula Weinstein
Production Design:
Luciana Arrighi
Screenplay:
Laura Jones
Neil LaBute
Screenstory:
David Henry Hwang
Set Decoration:
Ian Whittaker
Sound Mixer:
David Crozier
Sound Re-Recording Mixer:
Mark Taylor
Mike Dowson
Still Photographer:
David Appleby
Stunts:
Rowley Irlam
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.